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Sadlier, J., Mrs., 1820–1903, The Secret. A Drama. By Mrs. J. Sadlier. New Edition
London R. Washbourne 1880
Sandeau, Jules, 1811–1883, Mademoiselle de la Seigliere. Comedy, in Four Acts, from the French of J. Sandeau
New York W. C. Schermerhorn 1860
Preliminaries omitted.
Sanderson, Mary, The Mistake on Both Sides; A Petite Comedy, in One Act
New York Baker, Godwin & Co. 1852
Preliminaries omitted.
Sargent, Epes, 1813–1880, Farewell Address. Spoken by Miss Ellen Tree at the Park Theatre [in, Songs of the Sea, with Other Poems, by Epes Sargent. Second Edition]
Boston William D. Ticknor & Company 1849
Preliminaries and introductory matter omitted.
Sargent, Epes, 1813–1880, Love's Sacrifice: Or, The Rival Merchants. A Play. In Five Acts. With the Stage Directions, Cast of Characters, and Costumes, Marked and Corrected by J. B. Addis, Prompter. First American Edition
New York John Douglas 1847
Preliminaries omitted.
Sargent, Epes, 1813–1880, The Drama's Race. Spoken by Miss Ellen Tree, at the Park Theatre [in, Songs of the Sea, with Other Poems, by Epes Sargent. Second Edition]
Boston William D. Ticknor & Company 1849
Preliminaries and introductory matter omitted.
Sargent, Epes, 1813–1880, The Lampoon [in, Songs of the Sea, with Other Poems]
Boston James Munroe And Company 1847
Only “The Lampoon” included.
Sargent, Epes, 1813–1880, The Poor Gentleman. A Comedy in Five Acts. By George Colman, the Younger. With the Stage Business, Cast of Characters, Costumes, Relative Positions, &c. as Performed at the Park Theatre
New York William Taylor & Co. 1846
Preliminaries omitted.
Sargent, Epes, 1813–1880, The Priestess: A Tragedy in Five Acts. By Epes Sargent
Boston Dutton & Wentworth 1854
Preliminaries omitted.
Sargent, Epes, 1813–1880, The Stranger. A Play. In Five Acts. By Augustus Frederic Ferdinand Von Kotzebue. With Stage Directions, and Costumes, Marked and Corrected by J. B. Addis, Prompter
New York John Douglas 1848
Preliminaries omitted.
Sargent, Epes, 1813–1880, Velasco; a Tragedy, in Five Acts
New-York Harper & Brothers 1839
Preliminaries omitted.
Sargent, Epes, 1813–1880, Venice Preserved. A Tragedy in Five Acts. By Thomas Otway. With the Stage Business, Cast of Characters, Costumes, Relative Positions, &c.
New York John Douglas 1847
Preliminaries omitted.
Saunders, Charles Henry, 1818–1857, Rosina Meadows, the Village Maid; or, Temptations Unveiled. A Local Domestic Drama, in Three Acts. As Originally Performed at the National Theatre, Boston, with Extraordinary Success. Adapted by Charles H. Saunders, from the Popular Novel of That Name by Wm. B. English. With Editorial Remarks, original Bill, original Casts, Stage Business, Stage Directions, Plots of the Scenery, Properties, &c. &c.
New York Samuel French 1855
Preliminaries omitted.
Saunders, Charles Henry, 1818–1857, The Pirate's Legacy; or, The Wrecker's Fate. A Drama, in Two Acts, to which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Now Performed at the Principal English and American Theatres
New York London Samuel French 1858?
Preliminaries omitted.
Savage, John, 1828–1888, Sybil: A Tragedy, in Five Acts
New York James B. Kirker 1865
Preliminaries omitted.
Sawyer, Lemuel, 1777–1852, Blackbeard. A Comedy, in Four Acts: Founded on Fact
Washington Davis And Force 1824
Preliminaries omitted.
Sawyer, Lemuel, 1777–1852, The Wreck of Honor, a Tragedy. In Five Acts
New-York E. M. Murden 1824
Preliminaries omitted.
Saxe, John Godfrey, 1816-1887, Love Omnipotent. A Dialogue of the Gods [in, The Poetical Works of John Godfrey Saxe: Household Edition: with illustrations]
Boston Houghton, Mifflin and Company [1889]
Preliminaries omitted; section of translations omitted.
Selden, Almira, Lady Jane Gray and Lord Guilford Dudley. A Dramatic Poem [in, Effusions of the Heart, Contained in a Number of Original Poetic Pieces, on Various Subjects]
Bennington Darius Clark 1820
Only “Lady Jane Gray And Lord Guilford Dudley” included.
Selden, Almira, Naomi, a Sacred Drama, in Five Scenes [in, Effusions of the Heart, Contained in a Number of Original Poetic Pieces, on Various Subjects]
Bennington Darius Clark 1820
Only “Naomi, A Sacred Drama In Five Scenes” included.
Selden, Almira, The Irish Exiles in America, a Drama in Five Scenes [in, Effusions of the Heart, Contained in a Number of Original Poetic Pieces, on Various Subjects]
Bennington Darius Clark 1820
Only “The Irish Exiles In America” included.
Sewall, Jonathan, 1728–1796, Cure for the Spleen. Or Amusement for a Winter's Evening; Being the Substance of a Conversation on the Times, Over a Friendly Tankard and Pipe
Boston Publisher unknown 1775
Preliminaries omitted.
Sheldon, Edward, 1886–1946., The Boss by Edward Sheldon [in, Representative American Plays: Edited with Introductions and Notes by Arthur Hobson Quinn ...]
New York The Century Co. 1917
Simmons, J. W. (James Wright), b. 1790, Manfredi, a Tragedy, in Five Acts
Philadelphia Moses Thomas 1821
Preliminaries omitted.
Simmons, J. W. (James Wright), b. 1790, Valdemar; or, The Castle of the Cliff. A Tragedy
Philadelphia H. C. Carey & I. Lea 1822
Preliminaries omitted.
Simms, William Gilmore, 1806–1870, A Dramatic Sketch [in, Lyrical and Other Poems]
Charleston Ellis & Neufville 1827
Only “A Dramatic Sketch” included.
Simms, William Gilmore, 1806–1870, A Dramatic Sketch [in, Lyrical and other poems (1827)]
Charleston Ellis & Neufville 1827
Preliminaries and introductory matter omitted.
Simms, William Gilmore, 1806–1870, Atalantis; a Story of the Sea [in, Poems Descriptive, Dramatic, Legendary and Contemplative]
New York Redfield 1853
Only Atalantis included.
Simms, William Gilmore, 1806–1870, Bertram: An Italian Sketch [in, Poems: Descriptive, Dramatic, Legendary, and Contemplative. In Two Volumes. Vol. II]
New York Redfield 1853
Only “Bertram: An Italian Sketch” included.
Simms, William Gilmore, 1806–1870, Caius Marius [in, Poems: Descriptive, Dramatic, Legendary, and Contemplative. In Two Volumes. Vol. II]
New York Redfield 1853
Only “Caius Marius” included.
Simms, William Gilmore, 1806–1870, Norman Maurice; or, The Man of the People [in, Poems Descriptive, Dramatic, Legendary and Contemplative]
New York Redfield 1847
Only Norman Maurice included.
Simms, William Gilmore, 1806–1870, The Death Of Cleopatra [in, Poems: Descriptive, Dramatic, Legendary, and Contemplative. In Two Volumes. Vol. II]
New York Redfield 1853
Only “The Death Of Cleopatra” included.
Smith, Charles, 1768–1808, Abbe De L'Epee or, The Orphan; an Historical Drama, in Four Acts, Translated from the German of Kotzebue
New-York Charles Smith 1801
Preliminaries omitted.
Smith, Charles, 1768–1808, Adelaide of Wulfingen. A Tragedy in Four Acts. (Exemplifying the Barbarity which Prevailed During the Thirteenth Century.) From the German of Kotzebue.
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, False Shame; A Comedy, in Four Acts, Translated from the German of Kotzebue
Newark John Wallis 1801
Preliminaries omitted.
Smith, Charles, 1768–1808, Fraternal Discord; A Comedy, in Five Acts. Translated from the German of Kotzebue
New-York Charles Smith 1801
Preliminaries omitted.
Smith, Charles, 1768–1808, Indigence, and Nobleness of Mind. A Comedy in Five Acts, from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, La Peyrouse: A Comedy. In Two Acts. Translated from the German of Kotzebue
New York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, Pizarro; or The Spaniards in Peru. A Tragedy in Five Acts. Translated from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, Self Immolation: Or, The Sacrifice of Love. A Play in Three Acts. Translated from the German Of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Beautiful Unknown, a Dramatic History. Translated from the German of Augustus Von Kotzebue
New-York Burnton And Darling 1803
Preliminaries omitted.
Smith, Charles, 1768–1808, The Count of Burgundy, a Comedy in Four Acts. Translated from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Force of Calumny: A Play in Five Acts. Translated from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Happy Family; a Drama, in Five Acts. Translated from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Virgin of the Sun, a Play in Five Acts. Translated from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Widow, and the Riding Horse. A Dramatic Trifle, in One Act. Translated from the German of Kotzebue
New York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Wild Youth: A Comedy for Digestion. In Three Acts. Translated from the German of Kotzebue
New-York Charles Smith And Stephen Stephens 1800
Preliminaries omitted.
Smith, Charles, 1768–1808, The Writing Desk; or Youth in Danger. A Play, in Four Acts, from the German of Kotzebue
New-York Charles Smith 1801
Preliminaries omitted.
Smith, E. H. (Elihu Hubbard), 1771–1798, Edwin and Angelina; or The Banditti. An Opera, in Three Acts
New-York T. & J. Swords 1797
Preliminaries omitted.
Smith, John N., Ramanzo, the Conscience Stricken Brigand. A Tragic Play. In Five Acts
New York Printed for the Author 1840
Preliminaries omitted.
Smith, John W., fl. 1874., The Quack Doctor. A Negro Farce. In One Act and One Scene by John W. Smith, played first at the St. Louis Amphitheatre, March, 1851 presented to C. White, esq, May 1855. With the Stage Business, Cast of Characters, Relative Positions, &c. [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Three]
New York Happy Hours Company [1874]
Smith, Jonathan S., The Siege of Algiers; or, The Downfal of Hadgi-Ali-Bashaw. A Political, Historical, and Sentimental Tragi-Comedy, in Five Acts
Philadelphia J. Maxwell 1823
Preliminaries omitted.
Smith, Richard Penn, 1799–1854, A Wife at a Venture [in, The Sentinels & Other Plays by Richard Penn Smith: Edited by Ralph H. Ware and H. W. Schoenberger]
Princeton Princeton University Press 1941
Smith, Richard Penn, 1799–1854, Alexander's Modern Acting Drama: Consisting of the Most Popular Plays, Produced at the Philadelphia Theatre, and Elsewhere
Philadelphia Carsy & Hart, Hogan & Thompson, And W. Marshall & Co. 1828
Only “Quite Correct” included.
Smith, Richard Penn, 1799–1854, Shakspeare in Love [in, The Sentinels & Other Plays by Richard Penn Smith: Edited by Ralph H. Ware and H. W. Schoenberger]
Princeton Princeton University Press 1941
Smith, Richard Penn, 1799–1854, The Bombardment of Algiers [in, The Sentinels & Other Plays by Richard Penn Smith: Edited by Ralph H. Ware and H. W. Schoenberger]
Princeton Princeton University Press 1941
Smith, Richard Penn, 1799–1854, The Deformed, or, Woman's Trial, a Play, in Five Acts
Philadelphia C. Alexander 1830
Preliminaries omitted.
Smith, Richard Penn, 1799–1854, The Disowned; or, The Prodigals, a Play, in Three Acts. As Performed at the Chesnut Street Theatre—Philadelphia
Philadelphia C. Alexander 1830
Preliminaries omitted.
Smith, Richard Penn, 1799–1854, The Eighth of January, a Drama, in Three Acts. As Performed at the Theatres, Chesnut Street, Philadelphia, Baltimore, and Washington
Philadelphia Neal & Mackenzie 1829
Preliminaries omitted.
Smith, Richard Penn, 1799–1854, The Last Man; Or, The Cock of the Village [in, The Sentinels & Other Plays by Richard Penn Smith: Edited by Ralph H. Ware and H. W. Schoenberger]
Princeton Princeton University Press 1941
Smith, Richard Penn, 1799–1854, The Sentinels; Or, The Two Sergeants [in, The Sentinels & Other Plays: By Richard Penn Smith. Edited by Ralph H. Ware and H. W. Schoenberger]
Princeton Princeton University Press 1941
Smith, Richard Penn, 1799–1854, The Triumph at Plattsburg: By Richard Penn Smith [in, Representative American Plays. Edited with Introductions and Notes by Arthur Hobson Quinn ...]
New York The Century Co. 1917
Smith, Richard Penn, 1799–1854, William Penn (incomplete) [in, The Sentinels & Other Plays; By Richard Penn Smith: Edited by Ralph H. Ware and H. W. Schoenberger]
Princeton Princeton University Press 1941
Smith, William Henry, 1806–1872, The Drunkard: Or, The Fallen Saved! A Moral Domestic Drama. In Five Acts. Printed from the Acting Copy, with the Stage Business, Cast, Etc.
Boston Jones's Publishing House 1847
Preliminaries omitted.
Smith, William Russell, 1815–1896, The Royal Ape: A Dramatic Poem
Richmond West & Johnson 1863
Preliminaries omitted.
Smith, William, 1727–1803, An Exercise; Containing, a Dialogue and Two Odes Set to Music, for the Public Commencement, in the College of Philadelphia, May 17th, 1775
Philadelphia Joseph Crukshank 1775
Preliminaries omitted.
Smith, Winchell, 1871–1933., Brewster's Millions: A Comedy in Four Acts by Winchell Smith and Byron Ongley: Dramatized from the Novel, “Brewster's Millions,” by George Barr McCutcheon ...
New York London Samuel French [1907]
Sprague, Achsa W., d. 1862, The Poet and Other Poems
Boston William White And Co. 1865
Only “The Poet” included.
Spring, Retlaw, Women's Rights. A Comedietta, in Two Acts
New York Happy Hours Company 18––?
Preliminaries omitted.
Stearns, Charles, 1753–1826, Bernard of Berlin. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, Constantia. A Dramatic Dialogue in a Suit of Scenes [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, Panthea. A Dramatic Dialogue, in a Suit of Scenes [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, Ronscevalles. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, Scanderbeg, or The Prince Of Epirus. A Dramatic Dialogue in Verse. In Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Apparition. A Drama, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Bottle Conjuror. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Captive, a Dramatic Piece, in Five Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Coquette. A Drama, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Death of Socrates. A Dialogue, in a Suit of Scenes [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Discontented Wife. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Father of a Family. A Comedy. In Five Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Female Gamesters. A Drama, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Foundling. A Drama, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Gamester. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Growth of Rumors. A Dramatic Dialogue, in One Act [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Inquisitor. A Tragi-Comic Dialogue, in Five Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Insolvable Question. A Drama, of One Act [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Little Box. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Maid of the Groves. A Drama, in Five Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Male Coquette. A Comedy. In Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Match Dissolved. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Mother of a Family. A Drama, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Orphan of China. A Tragedy, in Five Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Rogue Proved Honest. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Spring For Flowers. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Triumph Of Temper. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Woman Of Honor. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, The Wooden Boy. A Dramatic Dialogue, in Three Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Stearns, Charles, 1753–1826, Zenobia. A Tragedy in Five Acts [in, Dramatic Dialogues for the Use of Schools]
Leominster John Prentiss, & Co. 1798
Steele, Silas Sexton, A Conjugal Lesson. A Comic Play, in One Act and One Scene. By H. Danvers [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “A Conjugal Lesson” included.
Steele, Silas Sexton, A Kiss in the Dark. A Ludicrous Farce, in One Act and One Scene [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “A Kiss In The Dark” included.
Steele, Silas Sexton, Blanche Of Devan; or, The Death of Roderick Dhu [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “Blanche Of Devan; Or, The Death Of Roderick Dhu” included.
Steele, Silas Sexton, Fairly Taken in. A Comic Interlude, in One Act and One Scene [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “Fairly Taken In” included.
Steele, Silas Sexton, Hide and Seek; or, Love in All Corners [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “Hide And Seek; Or, Love In All Corners” included.
Steele, Silas Sexton, Love and Madness; or, The Recluse of the Mountain [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “Love And Madness; Or, The Recluse Of The Mountain” included.
Steele, Silas Sexton, Shylock, the Jew; or, The Pound of Flesh [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “Shylock, The Jew; Or, The Pound Of Flesh” included.
Steele, Silas Sexton, The Brazen Drum; or, The Yankee in Poland. A National Drama in Two Acts. Correctly Printed from the Most Approved Acting Copy with a Description of the Costume, Cast of the Characters, Entrances and Exits, Relative Positions, and the Whole of the Stage Business; To which Are Added, Properties and Directions, As Performed in the American Theatres
Philadelphia New York Turner & Fisher [1846?]
Preliminaries omitted.
Steele, Silas Sexton, The Carpenter and His Apprentice; or, The Secret Order of the Confrierie [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Carpenter And His Apprentice; Or, The Secret Order Of The Confrierie” included.
Steele, Silas Sexton, The Children in the Wood; or, The Brave Carpenter [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Children In The Wood; Or, The Brave Carpenter” included.
Steele, Silas Sexton, The Country Cousin; or, The Rough Diamond [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Country Cousin; Or, The Rough Diamond” included.
Steele, Silas Sexton, The Crock of Gold; Or, The Toiler's Trials: Dramatised from the Popular Tale of Martin F. Tupper, Esq., for the Boston Museum: By Silas S. Steele [in, Metamora & Other Plays: By John Augustus Stone: Silas S. Steele: Charles Powell Clinch: Joseph M. Field: H. J. Conway(?): John H. Wilkins: Joseph Stevens Jones: John Brougham. Edited by Eugene R. Page]
Princeton Princeton University Press 1941
Steele, Silas Sexton, The Hypochondriac: Or, A Cure For the “Blues.” A Farce, in One Act, and One Scene [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Hypochondriac: Or, A Cure For The ‘Blues’” included.
Steele, Silas Sexton, The Lawyer, Doctor, Soldier and Actor; or, Many Minds in a Minute [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Lawyer, Doctor, Soldier And Actor; Or, Many Minds In A Minute” included.
Steele, Silas Sexton, The Masked Ball; or, The Rose-Colored Domino [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Masked Ball; Or, The Rose-Colored Domino” included.
Steele, Silas Sexton, The Orphan Boys; or, The Poisoned Draught [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Orphan Boys; Or, The Poisoned Draught” included.
Steele, Silas Sexton, The Soldier's Wife; or, A Bride in a Barrack Room [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Soldier's Wife; Or, A Bride In A Barrack Room” included.
Steele, Silas Sexton, The Stage Struck Clerk; or, The Office in an Uproar [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Stage Struck Clerk; Or, The Office In An Uproar” included.
Steele, Silas Sexton, The Stranger's Kiss; or, Who Speaks First? [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Stranger's Kiss; Or, Who Speaks First?” included.
Steele, Silas Sexton, The Tailor of Tipperary; or, The Irish Lion [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Tailor Of Tipperary; Or, The Irish Lion” included.
Steele, Silas Sexton, The Well of Death; or, The Brothers of Padua [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Well Of Death; Or, The Brothers Of Padua” included.
Steele, Silas Sexton, The Wizard's Warning; or, The Warrior's Faith [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Wizard's Warning; Or, The Warrior's Faith” included.
Steele, Silas Sexton, The Yankee Tar's Return; or, The Boy and the Purse [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Yankee Tar's Return; Or, The Boy And The Purse” included.
Steele, Silas Sexton, The Youth Who Never Saw a Woman [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Youth Who Never Saw A Woman” included.
Steele, Silas Sexton, The Youth of Argos [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “The Youth Of Argos” included.
Steele, Silas Sexton, Two Families in One Room; or, The Boundary Line [in, Book of Plays for Home Amusement. Being a Collection of Original, Altered and Selected Tragedies, Plays, Dramas, Comedies, Farces, Burlesques, Charades, Lectures, Etc., Carefully Arranged and Specially Adapted for Private Representation with Full Directions For Performance]
Philadelphia George G. Evans 1859
Only “Two Families In One Room; Or, The Boundary Line” included.
Sterling, George, 1869–1926, Lilith: A Dramatic Poem by George Sterling
New York The Macmillan Company 1926
Sterling, George, 1869–1926, The Play of Everyman: Based on the old English morality play: New Version by Hugo von Hofmannstal: Set to blank verse by George Sterling: In collaboration with Richard Ordynski
San Francisco A. M. Robertson 1917
Stevens, George Lionel, The Patriot; or, Union and Freedom: A Drama, in Three Acts, Wherein Is Introduced a National Chant, Containing the Names of the Signers of the Declaration of Independence. Adapted to Be Represented in All Theatres of the Union, on Public Days of Rejoicing
Boston Marsh, Capen & Lyon 1834
Preliminaries omitted.
Stickney, Trumbull, 1874-1904, Fragments of a Drama on the Life of the Emperor Julian [in, The Poems of Trumbull Stickney]
Boston Houghton, Mifflin & Co. 1905
Preliminaries and introductory matter omitted.
Stillman, George A., Life-Real. A Poem
New York J. C. Derby 1855
Preliminaries omitted.
Stokes, J. (John), The Forest of Rosenwald, or The Travellers Benighted: A Melo-Drama, in Two Acts
New-York E. Murden 1821
Preliminaries omitted.
Stone, John Augustus, 1800–1834., Metamora; or, The Last of the Wampanoags: An Indian Tragedy in Five Acts as Played by Edwin Forrest: By John Augustus Stone [in, Metamora & Other Plays: By John Augustus Stone: Silas S. Steele: Charles Powell Clinch: Joseph M. Field: H. J. Conway(?): John H. Wilkins: Joseph Stevens Jones: John Brougham. Edited by Eugene R. Page]
Princeton Princeton University Press 1941
Stone, John Augustus, 1800–1834., Tancred, King of Sicily; Or, The Archives of Palermo: By John Augustus Stone: Act IV [in, Metamora & Other Plays: By John Augustus Stone: Silas S. Steele: Charles Powell Clinch: Joseph M. Field: H. J. Conway(?): John H. Wilkins: Joseph Stevens Jones: John Brougham: Edited by Eugene R. Page]
Princeton Princeton University Press 1941
Stone, John Augustus, 1800–1834., Tancred; or The Siege of Antioch. A Drama. In Three Acts
Philadelphia Publisher unknown 1827
Preliminaries omitted.
Storrs, Richard S. (Richard Salter), 1787–1873, A Dialogue, Exhibiting Some of the Principles and Practical Consequences of Modern Infidelity
Sag-Harbor Alden Spooner 1806
Preliminaries omitted.
Story, William Wetmore, 1819–1895, Nero by W. W. Story
Edinburgh London William Blackwood and Sons 1875
Preliminaries omitted.
Story, William Wetmore, 1819–1895, Stephania: A Tragedy in Five Acts with a Prologue
Edinburgh Printed by William Blackwood and Sons [1875]
Preliminaries omitted.
Stowe, Harriet Beecher, 1811–1896, The Christian Slave [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “The Christian Slave” included.
Strong, Henry K. (Henry King), 1798–1860, The Fall of Iturbide; or, Mexico Delivered. A Tragedy, in Five Acts
Pittsfield Phineas Allen 1823
Preliminaries omitted.
Sutherland, Evelyn Greenleaf Baker, 1855–1908., A Bit of Instruction: A Little Comedy [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., A Comedie Royall: Being a Forgotten Episode of Elizabeth's Day [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland: Certain of the Plays Being Written in Collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., A Song at the Castle: A Romantic Comedy in One Act [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., At the Barricade: An Episode of the Commune of '71 [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., Galatea of the Toy-Shop: A Fantasy in One Act [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., In Far Bohemia [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., Po' White Trash: A Study of a Little-Known Phase of American Life [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., Rohan the Silent: A Romantic Drama in One Act [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays Being Written in Collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Sutherland, Evelyn Greenleaf Baker, 1855–1908., The End of the Way [in, Po' White Trash and other One-Act Dramas by Evelyn Greenleaf Sutherland. Certain of the Plays being written in collaboration with Emma Sheridan-Fry and Percy Wallace Mackaye]
Chicago Herbert S. Stone and Company 1900
Swayze, J. C., Mrs., Ossawattomie Brown; or, The Insurrection at Harper's Ferry. A Drama, in Three Acts. As Performed at the Bowry Theatre. With Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c.
New York London Samuel French 1859
Preliminaries omitted.
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