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Pacheco, Romualdo, Mrs., 1842–1913, Tom, Dick, and Harry. A Farcical Comedy, in Three Acts. By Mrs. R. Pacheco [in, French's Acting Edition ... Volume 145]
London New York Samuel French [1899]

Packard, Hannah James, 1815–1831, The Choice: A Tragedy; with Other Miscellaneous Poems
Boston Leonard C. Bowles 1832
Poems and “Memoir” not included.

Paine, Thomas, 1737–1809, A Dialogue between the Ghost of General Montgomery Just Arrived from the Elysian Fields; and an American Delegate, in a Wood Near Philadelphia
Philadelphia R. Bell 1776
Preliminaries omitted.

Pardey, Henry Oake, 1805–1865, Nature's Nobleman. A Comedy, in Five Acts. [First Produced at Burton's Theatre, N. Y., Oct. 7, 1851]
New-York Baltimore William Taylor & Co. 1853?
Preliminaries omitted.

Parke, John, 1754–1789, Virginia: A Pastoral Drama, on the Birth-Day of an Illustrious Personage and the Return of Peace, February 11th, 1784 [in, The Lyric Works of Horace, Translated into English Verse; to which Are Added a Number of Original Poems]
Philadelphia Eleazer Oswald 1786
Only “Virginia: A Pastoral Drama” included.

Paulding, James Kirke, 1778–1860 / Paulding, William I. (William Irving), 1825–1890, Antipathies; or, The Enthusiasts by the Ears [in, American Comedies]
Philadelphia Carey And Hart 1847
Only “Antipathies; Or, The Enthusiasts By The Ears” included.

Paulding, James Kirke, 1778–1860 / Paulding, William I. (William Irving), 1825–1890, Madmen All; or, The Cure of Love [in, American Comedies]
Philadelphia Carey And Hart 1847
Only “Madmen All; Or, The Cure Of Love” included.

Paulding, James Kirke, 1778–1860 / Paulding, William I. (William Irving), 1825–1890, The Noble Exile [in, American Comedies]
Philadelphia Carey And Hart 1847
Only “The Noble Exile” included.

Paulding, James Kirke, 1778–1860, The Bucktails; or, Americans in England [in, American Comedies]
Philadelphia Carey And Hart 1847
Only “The Bucktails; Or, Americans In England” included.

Payne, John Howard, 1791–1852, Accusation; or, The Family of D'Anglade: A Play in Three Acts, from the French, with Alterations
London C. Chapple 1817
Preliminaries omitted.

Payne, John Howard, 1791–1852, Adeline, the Victim of Seduction: A Melo-Dramatic Serious Drama, in Three Acts: Altered from the French of Monsieur R. C. Guilbert Pixerècourt, and Adapted to the English Stage. First Performed at the Theatre Royal, Drury Lane, Saturday Evening, February 9, 1822
London J. Tabby 1822
Preliminaries omitted.

Payne, John Howard, 1791–1852, Ali Pacha; or, The Signet-Ring. A Melo-Drama, in Two Acts. As Performed at Covent-Garden Theatre, London
New-York E. M. Murden 1823
Preliminaries omitted.

Payne, John Howard, 1791–1852, Brutus; or, The Fall of Tarquin. An Historical Tragedy, in Five Acts
New-York David Longworth 1819
Preliminaries omitted.

Payne, John Howard, 1791–1852, Charles The Second; or, The Merry Monarch. A Comedy in Three Acts. As Performed at the Chestnut-Street Theatre
Philadelphia Neal & Mackenzie 1829
Preliminaries and illustration omitted.

Payne, John Howard, 1791–1852, Charles the Second: Or, The Merry Monarch. A Comedy in Two Acts. The Stage Edition: With The Stage Business, Cast of Characters, Costumes, Relative Positions, &c.
New York William Taylor & Co. 1846
Preliminaries omitted.

Payne, John Howard, 1791–1852, Clari; or, The Maid of Milan
New York The Circulating Library And Dramatic Repository [1823]
Preliminaries omitted.

Payne, John Howard, 1791–1852, Julia, or The Wanderer; A Comedy, in Five Acts. As Performed at the New-York Theatre
New-York David Longworth 1806
Preliminaries omitted.

Payne, John Howard, 1791–1852, Love in Humble Life. A Petite Comedy, in One Act. To which Are Added, a Description of the Costume, Cast of the Characters, Entrances and Exits, Relative Positions, and the Whole of the Stage Business
New York Samuel French 1822?
Preliminaries omitted.

Payne, John Howard, 1791–1852, Lovers' Vows; a Play, in Five Acts. Altered from the Translations of Mrs. Inchbald and Benjamin Thompson
Baltimore Geo. Dobbin And Murphy 1809
Preliminaries omitted.

Payne, John Howard, 1791–1852, Mahomet: A Tragedy, in Five Acts. Translated from the French of M. Voltaire. As Performed at the American Theatres: with Remarks (First Published in 1744)
New-York David Longworth 1809
Preliminaries omitted.

Payne, John Howard, 1791–1852, Mazeppa; or, The Wild Horse of Tartary [in, Trial without Jury & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, Mount Savage [in, Trial without Jury & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, Mrs. Smith: Or, The Wife and the Widow. A Farce, in One Act
London Thomas Hailes Lacy 1823
Preliminaries omitted.

Payne, John Howard, 1791–1852, Peter Smink; or, The Armistice. A Comic Drama, in One Act. Adapted from the French
London Thomas Hailes Lacy 1822
Preliminaries omitted.

Payne, John Howard, 1791–1852, Richelieu: A Domestic Tragedy, Founded on Fact. [As Accepted for Performance at the Theatre Royal, Covent Garden, London; Before it Was Altered by Order of the Lord Chamberlain, and Produced Under a New Name. In Five Acts. Now First Printed from the Author's Manuscript]
New-York E. M. Murden 1826
Preliminaries omitted.

Payne, John Howard, 1791–1852, Romulus, the Shepherd King [in, The Last Duel in Spain & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, Scene from an Unpublished Play [in, John Howard Payne ... His Life and Writings. By Gabriel Harrison. With Illustrations. Revised Edition]
Philadelphia J. B. Lippincott & Co. 1885
Only unique items by Payne included.

Payne, John Howard, 1791–1852, Sylla, a Tragedy in Five Acts, Translated from the French, and Adapted for Representation at the Chatham Theatre, by a Citizen of New-York
New-York E. M. Murden 1827
Preliminaries omitted.

Payne, John Howard, 1791–1852, Thèrése the Orphan of Geneva, a Drama, in Three Acts. Freely Translated from the French, Altered and Adapted to the English Stage
New-York Thomas Longworth 1821
Preliminaries omitted.

Payne, John Howard, 1791–1852, The Black Man; Or, The Spleen [in, The Last Duel in Spain & Other Plays: By John Howard Payne. Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, The Boarding Schools; Or, Life Among the Little Folks [in, Trial Without Jury & Other Plays: By John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, The Fall of Algiers. A Comic Opera, in Three Acts. Printed from the Acting Copy, with Remarks, Biographical and Critical. To which Are Added, a Description of the Costume,—Cast of the Characters, Exits and Entrances,—Relative Position of the Performers onf the Stage,—and the Whole of the Stage Business, as Now Performed at the Theatres-Royal, London. Embellished with a Fine Wood Engraving, by Mr. White, from a Drawing by Mr. R. Cruikshank
London John Cumberland 1825
Preliminaries and illustrations omitted.

Payne, John Howard, 1791–1852, The Italian Bride [in, The Last Duel in Spain & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, The Lancers: Printed from the Acting Copy, with Remarks, Biographical and Critical; to which Are Added, a Description of the Costume.—Cast of the Characters, Entrances and Exits,—Relative Positions of the Performers on the Stage,—and the Whole of the Stage Business. As Now Performed at the Theatre Royal, Drury Lane
London John Cumberland 1827
Preliminaries omitted.

Payne, John Howard, 1791–1852, The Last Duel in Spain [in, The Last Duel in Spain & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, The Spanish Husband; or, First and Last Love [in, Trial without Jury & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, The Two Galley Slaves; A Melo-Drama, in Two Acts. Now First Printed from the Authors MS., with Remarks. To which Are Added, a Description of the Costume, Cast of the Characters, Sides of Entrance and Exit, Relative Positions of the Performers on Stage, and the Whole Stage Business, as Performed at the Theatre-Royal Covent-Garden
London G. H. Davidson 1823
Preliminaries omitted.

Payne, John Howard, 1791–1852, The Two Sons-in-Law [in, Trial without Jury & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, Trial without Jury; or, The Magpie and the Maid [in, Trial without Jury & Other Plays by John Howard Payne: Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Payne, John Howard, 1791–1852, 'Twas I! A Farce, in One Act.
London Thomas Hailes Lacy 1827
Preliminaries omitted.

Payne, John Howard, 1791–1852, Woman's Revenge [in, The Last Duel in Spain & Other Plays: By John Howard Payne. Edited by Codman Hislop and W. R. Richardson]
Princeton Princeton University Press 1940

Peabody, Josephine Preston, 1874–1922, Fortune and Men's Eyes: A Drama in One Act By Josephine Preston Peabody [in, One-Act Plays by Modern Authors. Edited By Helen Louise Cohen ...]
New York Harcourt, Brace and Company [c. 1921]

Pepper, George, fl. 1835, Kathleen O'Neil, or, A Picture of Feudal Times in Ireland, a National Melo-Drama of the Fourteenth Century. In Three Acts
Philadelphia Thomas Town 1832
Preliminaries omitted.

Percival, James Gates, 1795–1856, The Sister Spirits [in, The Dream of a Day, and Other Poems]
New Haven S. Babcock 1843
Preliminaries omitted.

Percival, James Gates, 1795–1856, Zamor. A Tragedy [in, Poems]
New Haven Published for the Author 1821
Only “Zamor. A Tragedy” included.

Phillips, David Graham, 1867–1911, A Point of Law [in, The Worth of a Woman: A Play in Four Acts followed by A Point of Law: A Dramatic Incident]
New York D. Appleton and Company 1908

Phillips, David Graham, 1867–1911, The Worth of a Woman [in, The Worth of a Woman: A Play in Four Acts followed by A Point of Law: A Dramatic Incident]
New York D. Appleton and Company 1908

Phillips, Jonas B., d. 1867 / Jones, George, 1810–1879, The Evil Eye: A Melo-Drama, in Two Acts
New York E. B. Clayton 1831
Preliminaries omitted.

Phillips, Jonas B., d. 1867, Camillus; or, The Self-Exiled Patriot. A Tragedy, in Five Acts. First Performed at the Arch-Street Theatre, Philadelphia, February 8, 1833
New-York E. B. Clayton 1833
Preliminaries omitted.

Phillips, Jonas B., d. 1867, Zamira, a Dramatic Sketch, and Other Poems
New-York G. A. C. Van Beuren 1835
Preliminaries omitted.

Pilgrim, James, d. 1879, Eveleen Wilson, The Flower of Erin. An Original Drama, in Three Acts. With Casts, Costumes, and All the Stage Business
Boston William V. Spencer 1858
Preliminaries omitted.

Pilgrim, James, d. 1879, Ireland and America: Or, Scenes in Both. A Drama, in Two Acts. Written Expressely for Mr. Barney Williams. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business
New York Samuel French 1856
Preliminaries omitted.

Pilgrim, James, d. 1879, Irish Assurance and Yankee Modesty. An Original Farce, in Two Acts, Written Expressly for Mrs. Barney Williams. With Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c. As Performed at the Principal Theatres
New York London Samuel French 187–?
Preliminaries omitted.

Pilgrim, James, d. 1879, Katty O'Sheal: A Farce, in Two Acts, to which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Now Performed at the Principal English and American Theatres
New York Samuel French 1870?
Preliminaries omitted.

Pilgrim, James, d. 1879, Paddy the Piper. A Comic Drama, in One Act. With Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c. As Performed at the Broadway Theatre
New York London Samuel French 18––?
Preliminaries omitted.

Pilgrim, James, d. 1879, Servants by Legacy. A Farce, in One Act. With Casts, Costumes, and All the Stage Business
Boston William V. Spencer 185–?
Preliminaries omitted.

Pilgrim, James, d. 1879, Shandy Maguire
Boston William V. Spencer 1855?
Preliminaries omitted.

Pilgrim, James, d. 1879, The Limerick Boy; or, Paddy's Mischief. An Original Farce, in One Act. With Original Casts, Costumes, and the Whole of the Stage Business, Correctly Marked and Arranged, by Mr. J. B. Wright, Assistant Manager of the Boston Theatre
Boston William V. Spencer 1856?
Preliminaries omitted.

Pilgrim, James, d. 1879, Wild Irish Girl; A Drama, in Three Acts. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Now Performed at the Principal English aand American Theatres
New York Samuel French 1858
Preliminaries omitted.

Pinckney, Maria, A Tyrant's Victims, a Tragedy, in Five Acts [in, Essays, Religious, Moral, Etc. By a Lady]
Charleston Archibald E. Miller 1818
Only “A Tyrant's Victims” included.

Pinckney, Maria, The Orphans [in, Essays, Religious, Moral, Etc. By a Lady]
Charleston Archibald E. Miller 1818
Only “The Orphans” included.

Pinckney, Maria, The Young Carolinians; or, Americans in Algiers. A Play in Five Acts [in, Essays, Religious, Moral, Etc. By a Lady]
Charleston Archibald E. Miller 1818
Only “The Young Carolinians; Or, Americans In Algiers” included.

Pinkney, Edward Coote, 1802-1828, Cain [in, Poems and Dramas of George Cabot Lodge]
Boston Houghton Mifflin Company 1911
Only Cain inclueded.

Pinkney, Edward Coote, 1802-1828, Herakles [in, Poems and Dramas of George Cabot Lodge]
Boston Houghton Mifflin Company 1911
Only Herakles included.

Pirsson, Joseph P., The Discarded Daughter; A Comedy, in Five Acts. As Performed at New-York and Philadelphia
New-York William Stodart 1832
Preliminaries omitted.

Poe, Edgar Allan, 1809-1849, Scenes from “Politician;” an Unpublished Drama [in, The Raven and Other Poems by Edgar A. Poe]
New York Wiley and Putnam 1845
Preliminaries and introductory matter omitted.

Pogson Smith, Mrs., The Female Enthusiast: A Tragedy, in Five Acts. By a Lady
Charleston J. Hoff 1807
Preliminaries omitted.

Potter, Reuben M. (Reuben Marmaduke), 1802–1890, Phelles, King of Tyre, or The Downfall of Tyranny. A Tragedy in Five Acts, as Performed at the New-York Theatre
New-York C. Wiley 1825
Preliminaries omitted.

Poyas, Catharine Gendron, 1813–1882, The Convert. A Sketch [in, The Huguenot Daughters, and Other Poems]
Charleston John Russell 1849
Only “The Convert. A Sketch” included.

Pratt, William W., Ten Nights in a Bar-Room, a Drama, in Five Acts. Dramatized from T. S. Arthur's Novel of the Same Name. As Performed at the Principal English and American Theatres. To which Are Added Cast of Characters—Entrances and Exits—Relatives Positions of the Performers on the Stage, and the Whole of the Stage Business
Boston Walter H. Baker & Co. c. 1889
Preliminaries omitted.

Prentiss, Charles, 1774–1820, Haven, or The Merited Gallows. In Three Acts [in, Collection of Fugitive Essays, in Prose and Verse]
Leominster Publisher unknown 1797
Only “Haven, Or The Merited Gallows” included.

Preuss, Henry Clay, Fashions and Follies of Washington Life. A Play. In Five Acts
Washington, D. C. Published by the Author 1857
Preliminaries omitted.

Price, James Cave, The Ignis Fatuus; or, A Voice from the Clouds. Comprising the Climax of Iniquity, an Opera; The Quinciad, and Other Poems
Richmond Thomas W. White 1827
Only “The Climax Of Iniquity” included.

Puffem, Peter, Heaven on Earth, or The New Lights of Harmony. An Extravaganza, in Two Acts
Philadelphia Publisher unknown 1825
Preliminaries omitted.

Putnam, Mary Lowell, 1810–1898, The Bondmaid. Translated from the Swedish by M. L. Putnam
Boston James Munroe And Company 1844
Preliminaries omitted.

Putnam, Mary Lowell, 1810–1898, Tragedy of Errors
Boston Ticknor And Fields 1862
Preliminaries omitted.

Putnam, Mary Lowell, 1810–1898, Tragedy of Success
Boston Ticknor And Fields 1862
Preliminaries omitted.

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