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D'Elville, Rinaldo, The Rescue; or, the Villain Unmasked. A Farce, in Three Acts
New-York C. S. Van Winkle 1813
Preliminaries omitted.
Daly, Augustin, 1838–1899, Divorce: A Play of the Period, in Five Acts [in, Man and Wife & Other Plays: By Augustin Daly. Edited with Introductory Notes and Play List by Catherine Sturtevant]
Princeton Princeton University Press 1942
Daly, Augustin, 1838–1899, Horizon by Augustin Daly [in, American Plays Selected and Edited with Critical Introductions and Bibliographies by Allan Gates Halline ...]
New York Cincinnati American Book Company [1935]
Daly, Augustin, 1838–1899, Leah, the Forsaken. A Play, in Five Acts
London New York Samuel French 1872
Preliminaries omitted.
Daly, Augustin, 1838–1899, Man and Wife: A Play in Five Acts: Based on a Novel by Wilkie Collins [in, Man and Wife & Other Plays: By Augustin Daly. Edited with Introductory Notes and Play List by Catherine Sturtevant]
Princeton Princeton University Press 1942
Daly, Augustin, 1838–1899, Needles and Pins: A Comedy of the Present, in Four Acts From the German of Rosen [in, Man and Wife & Other Plays by Augustin Daly: Edited with Introductory Notes and Play List by Catherine Sturtevant]
Princeton Princeton University Press 1942
Daly, Augustin, 1838–1899, Pique: A Play of Today, in Five Acts [in, Man and Wife & Other Plays by Augustin Daly: Edited with Introductory Notes and Play List by Catherine Sturtevant]
Princeton Princeton University Press 1942
Daly, Augustin, 1838–1899, Seven-Twenty-Eight: Or Casting the Boomerang: A Comedy of To-Day, in Four Acts (From the German of Von Schönthan) by Augustin Daly As Acted at Daly's Theatre for the First Time, February 24, 1883
New York Fitzgerald Publishing Corporation [1897]
Daly, Augustin, 1838–1899, The Big Bonanza: A Comedy of our Time, in Five Acts From the German of Von Moser [in, Man and Wife & Other Plays by Augustin Daly: Edited with Introductory Notes and Play List by Catherine Sturtevant]
Princeton Princeton University Press 1942
Daly, Augustin, 1838–1899, Under the Gaslight: Or Life and Love in These Times. An Original Drama, of American Life, in Four Acts. By Augustin Daly ... [in, Lacy's Acting Edition ... Volume 81]
London Thomas Hailes Lacy [n. d.]
Darling, David, Beaux Without Belles, or, Ladies We Can Do Without You. A Musical Farce. As Performed at the Theatre, Fredericksburg, Virginia
Charlottesville C. P. & J. B. McKennie 1820
Preliminaries omitted.
Davis, Richard Harding, 1864–1916., Who's Who: A Farce in Three Acts by Richard Harding Davis
London Bickers & Son 1913
Dawes, Rufus, 1803–1859, Geraldine, Athenia of Damascus, and Miscellaneous Poems
New-York Samuel Colman 1839
Only “Geraldine, Athenia Of Damascus” included.
Day, Thomas, 1777–1855, The Suicide
Litchfield, Connecticut T. Collier 1797
Preliminaries omitted.
De Mille, Henry Churchill, 1850–1893., Lord Chumley: By Henry C. De Mille and David Belasco [in, The Plays of Henry C. De Mille: Written in Collaboration with David Belasco: Edited with an Introductory Essay by Robert Hamilton Ball]
Princeton Princeton University Press 1941
De Mille, Henry Churchill, 1850–1893., Men and Women: A Drama of Our Times in Four Acts: by Henry C. De Mille and David Belasco [in, The Plays of Henry C. De Mille: Written in Collaboration with David Belasco: Edited with an Introductory Essay by Robert Hamilton Ball]
Princeton Princeton University Press 1941
De Mille, Henry Churchill, 1850–1893., The Charity Ball: A Comedy Drama in Four Acts By David Belasco and Henry C. De Mille [in, The Plays of Henry C. De Mille: Written in Collaboration with David Belasco: Edited with an Introductory Essay by Robert Hamilton Ball]
Princeton Princeton University Press 1941
De Mille, Henry Churchill, 1850–1893., The Main Line; Or, Rawson's Y: An Idyl of the Railroad By Henry C. De Mille and Charles Barnard [in, The Plays of Henry C. De Mille: Written in Collaboration with David Belasco: Edited with an Introductory Essay by Robert Hamilton Ball]
Princeton Princeton University Press 1941
De Mille, William C. (William Churchill), 1878–1955, Hippolytus by Julia Ward Howe [in, Monte Cristo by Charles Fechter: As Played by James O'Neill & Other Plays: By Julia Ward Howe: George C. Hazelton: Langdon Mitchell: William C. De Mille: Edited by J. B. Russak]
Princeton Princeton University Press 1941
De Mille, William C. (William Churchill), 1878–1955, The Warrens of Virginia By William C. de Mille [in, Monte Cristo by Charles Fechter: As Played by James O'Neill & Other Plays: By Julia Ward Howe: George C. Hazelton: Langdon Mitchell: William C. De Mille: Edited by J. B. Russak]
Princeton Princeton University Press 1941
Deering, Nathaniel, 1791–1881, Bozzaris; a Tragedy, in Five Acts
Portland J. S. Bailey 1851
Preliminaries omitted.
Deering, Nathaniel, 1791–1881, Carabasset; A Tragedy ... in Five Acts
Portland S. Colman 1830
Preliminaries omitted.
Deffebach, Lewis, Oolaita, or The Indian Heroine. A Melo Drama, in Three Acts
Philadelphia Printed for the Author 1821
Preliminaries omitted.
Delano, Alonzo, 1806–1874, A Live Woman in the Mines; or, Pike County Ahead! A Local Play in Two Acts. By “Old Block.” To Which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business
New York Samuel French 1857
Preliminaries omitted.
Doddridge, Joseph, 1769–1826, Logan. The Last of the Race of Shikellemus Chief of the Cayuga Nation. A Dramatic Piece
Buffaloe Creek Solomon Sala 1823
Preliminaries omitted.
Dodge, H. M., Mrs., Heselrigge, or The Death of Lady Wallace. With Other Poems. By Amica Religionis
Utica Hastings And Tracy 1827
Songs not included.
Donoho, Thomas Seaton, Oliver Cromwell: A Tragedy in Five Acts
Washington, D. C. William H. Moore, Printer 1860
Preliminaries omitted.
Duché, Jacob, 1738–1798, An Exercise, Containing a Dialogue and Ode on the Accession of His Present Gracious Majesty, George III
Philadelphia W. Dunlap 1762
Preliminaries omitted.
Dumas, Alexandre, 1802–1870, Paul Jones; A Drama in Five Acts, Translated from the French of Alexander Dumas by William Berger of New Orleans
Philadelphia T. K. And P. G. Collins 1839
Preliminaries omitted.
Dumont, Frank, 1848–1919, Gambrinus, King of Lager Beer. A Diabolical, Musical, Comical and Nonsensical Ethiopian Burlesque. By Frank Dumont ... Originally Produced by Duprez and Benedict's Minstrels, at Jackson, Mich., July 21st, 1875 ... To which are added, a Description of the Costumes—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business
New York Robert M. De Witt [1876]
Dumont, Frank, 1848–1919, One Night in a Medical College. An Ethiopian Sketch in One Scene. By Frank Dumont ... Originally Performed at Gloucester, Mass., April 5th, 1876, by Duprez and Benedict's Minstrels. To Which Are Added a Description of the Costumes—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business
New York Clinton T. De Witt [1877]
Dumont, Frank, 1848–1919, Pleasant Companions. An Ethiopian Sketch, in One Scene. By Frank Dumont ... as Performed by the San Francisco Minstrels at Their Opera House, Twenty-Ninth Street and Broadway, New York, Sept. 13, 1880. To Which Are Added a Description of the Costumes—Cast of the Character—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business
New York De Witt [1880]
Dumont, Frank, 1848–1919, The Painter's Apprentice. An Ethiopian farce, by Frank Dumont ... as Originally Produced at the Olympic Theatre, St. Louis, Mo., May 18th, 1872, by Duprez & Benedict's Minstrels; Afterwards at the Theatre Comique, N. Y. City, and by Carncross & Dixey's Minstress, 11th Street Opera House, Phila. Containing Cast of Characters.—Relative Positions of the Performers upon the Stage.—Entrances and Exits.—Properties and Description of Costumes.—and All Necessary Instructions to Produce the Above Successful Farce
New York Robert M. De Witt [1876]
Dunlap, William, 1766–1839, A Trip to Niagara; or, Travellers in America. A Farce, in Three Acts. Written for the Bowery Theatre, New-York
New-York E. B. Clayton 1830
Preliminaries omitted.
Dunlap, William, 1766–1839, Abaellino, the Great Bandit. Translated from the German, and Adapted to the New-York Theatre
New-York David Longworth 1802
Preliminaries omitted.
Dunlap, William, 1766–1839, Andre; A Tragedy, in Five Acts: as Performed by the Old American Company, New-York, March 30, 1798. To which Are Added Authentic Documents Respecting Major Andre; Consisting of Letters to Miss Seward, the Cow Chace, Proceedings of the Court Martial, &c.
New-York David Longworth 1798
Preliminaries omitted.
Dunlap, William, 1766–1839, Blue Beard; or, Female Curiosity: A Dramatic Romance, in Three Acts. As Altered for the New Theatre, with Additional Songs
New-York David Longworth 1811
Preliminaries omitted.
Dunlap, William, 1766–1839, Darby's Return. A Comic Sketch. As Performed at the New-York Theatre, November, 24, 1789, for the Benefit of Mr. Wignell
New-York Hodge, Allen, And Campbell 1789
Preliminaries omitted.
Dunlap, William, 1766–1839, False Shame: Or The American Orphan in Germany: A Comedy, in Four Acts. From the German Of Augustus Von Kotzebue
Charleston W. P. Young 1800
Preliminaries omitted.
Dunlap, William, 1766–1839, False Shame; Or, The American Orphan in Germany [in, False Shame and Thirty Years: Two Plays by William Dunlap: Edited by Oral Sumner Coad]
Princeton Princeton University Press 1940
Dunlap, William, 1766–1839, Fontainville Abbey, a Tragedy. As Performed at the New-York Theatre. With the Original Cast
New-York David Longworth 1807
Preliminaries omitted.
Dunlap, William, 1766–1839, Fraternal Discord: A Drama, in Five Acts. Altered from the German of A. Von Kotzebue. Performed wth Great Applause in the New-York Theatre
New-York David Longworth 1809
Preliminaries and editorial matter omitted.
Dunlap, William, 1766–1839, Leicester, a Tragedy. As Performed at the New-York Theatre. With the Original Cast
New-York David Longworth 1807
Preliminaries omitted.
Dunlap, William, 1766–1839, Lovers Vows; A Play, in Five Acts. From the German of Kotzebue. As Performed at the New-York Theatre
New-York David Longworth 1814
Preliminaries omitted.
Dunlap, William, 1766–1839, Peter the Great; or, The Russian Mother: A Play. In Five Acts. Altered from the German. As Performed at the New-York Theatre
New-York David Longworth 1814
Preliminaries omitted.
Dunlap, William, 1766–1839, Pizarro in Peru; or, The Death of Rolla. A Play, in Five Acts. From the German of Augustus Von Kotzebue. With Notes Marking the Variations from the Original
New-York G. F. Hopkins 1800
Preliminaries omitted.
Dunlap, William, 1766–1839, Ribbemont, or The Feudal Baron, a Tragedy in Five Acts, as Performed at the New-York Theatre
New-York David Longworth 1803
Preliminaries omitted.
Dunlap, William, 1766–1839, Rinaldo Rinaldini; or, The Great Banditti. A Tragedy, in Five Acts
New-York Publisher unknown 1810
Preliminaries omitted.
Dunlap, William, 1766–1839, Tell Truth and Shame the Devil: A Comedy, in Two Acts, as Performed by the Old American Company, New-York, January, 1797
New-York T. & J. Swords 1797
Preliminaries omitted.
Dunlap, William, 1766–1839, The Africans; or, War, Love, and Duty. A Play,in Three Acts. As Performed at the Philadelphia Theatre
Philadelphia M. Carey 1811
Only “The Africans; Or, War, Love, And Duty” included.
Dunlap, William, 1766–1839, The Archers, or Mountaineers of Switzerland; An Opera, in Three Acts, as Performed by the Old American Company, In New-York; To which Is Subjoined a Brief Historical Account of Switzerland, from the Dissolution of the Roman Empire to the Final Establishment of the Helvetic Confederacy, by the Battle Of Sempach
New-York T. & J. Swords 1796
Preliminaries omitted.
Dunlap, William, 1766–1839, The Father of an Only Child,a Comedy. As Performed at the New-York Theatre with the Original Cast
New-York David Longworth 1807
Preliminaries omitted.
Dunlap, William, 1766–1839, The Glory of Columbia; Her Yeomanry! A Play, in Five Acts. With Songs, Duetts, &c.
New-York David Longworth 1817
Preliminaries omitted.
Dunlap, William, 1766–1839, The Good Neighbor: An Interlude. In One Act. Altered froma Scene of Iffland's by William Dunlap. As Performed at the New-York Theatre
New-York David Longworth 1814
Preliminaries omitted.
Dunlap, William, 1766–1839, The Italian Father: A Comedy, in Five Acts. By William Dunlap, Esq. As Performed at the New-York Theatre
New-York David Longworth 1810
Preliminaries omitted.
Dunlap, William, 1766–1839, The Virgin of the Sun: A Play, in Five Acts. From the German of Augustus Von Kotzebue. With Notes Marking the Variations from the Original
New-York G. F. Hopkins 1800
Preliminaries and notes omitted.
Dunlap, William, 1766–1839, The Voice of Nature, a Drama in Three Acts. Translated and Altered from a French Melo-Drame, Called, The Judgment of Solomon
New-York David Longworth 1803
Preliminaries omitted.
Dunlap, William, 1766–1839, The Wife of Two Husbands: A Drama, in Five Acts. Interspersed with Songs, Choruses, Music and Dances. As Performed at the New-York Theatre
New-York David Longworth 1804
Preliminaries omitted.
Dunlap, William, 1766–1839, Thirty Years; or, The Gambler's Fate [in, False Shame and Thirty Years: Two Plays: By William Dunlap. Edited by Oral Summer Coad]
Princeton Princeton University Press 1940
Dunlap, William, 1766–1839, Wild-Goose Chace: A Play, in Four Acts. With Songs. From the German of Augustus Von Kotzebue. With Notes Marking the Variations from the Original
New-York G. F. Hopkins 1800
Preliminaries, editorial matter and notes omitted.
Dunlap, William, 1766–1839, Yankee Chronology; or, Huzza for the Constitution! A Musical Interlude, in One Act. To which Are Added, The Patriotic Songs of the Freedom of the Seas, and Yankee Tars
New-York David Longworth 1812
Songs not included.
Durivage, O. E., The Lady of the Lions. A Burlesque.—in One Act. With Original Cast, Costumes, and All the Stage Business
New York London Samuel French [1856]
Preliminaries omitted.
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