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C

Calvert, George Henry, 1803–1889, Arnold and André. An Historical Drama
Boston Little, Brown And Company 1864
Preliminaries omitted.

Calvert, George Henry, 1803–1889, Brangonar: A Tragedy
Boston Lee and Shepard [1883]
Preliminaries omitted.

Calvert, George Henry, 1803–1889, Count Julian; a Tragedy
Baltimore N. Hickman 1840
Preliminaries omitted.

Calvert, George Henry, 1803–1889, Like unto Like [in, Comedies]
Boston Phillips, Sampson & Company 1856
Only “Like Unto Like” included.

Calvert, George Henry, 1803–1889, Mirabeau: an Historical Drama by George H. Calvert
Boston Lee and Shepard [1883]
Preliminaries omitted.

Calvert, George Henry, 1803–1889, The Maid of Orleans: An Historical Tragedy
New York G. P. Putnam's Sons 1874
Preliminaries omitted.

Calvert, George Henry, 1803–1889, The Will And The Way, a Comedy [in, Comedies]
Boston Phillips, Sampson & Company 1856
Only “The Will And The Way” included.

Campbell, Bartley Theodore, 1843–1888, Fairfax [in, The White Slave & Other Plays by Bartley Campbell: Edited by Napier Wilt]
Princeton Princeton University Press 1941

Campbell, Bartley Theodore, 1843–1888, Little Sunshine: Play in Five Acts: Written by Bartley Campbell [in, French's Acting Edition ... Volume 110]
London New York Samuel French [1877]

Campbell, Bartley Theodore, 1843–1888, My Partner [in, The White Slave & Other Plays: By Bartley Campbell. Edited By Napier Wilt]
Princeton Princeton University Press 1941

Campbell, Bartley Theodore, 1843–1888, The Galley Slave [in, The White Slave & Other Plays by Bartley Campbell: Edited by Napier Wilt]
Princeton Princeton University Press 1941

Campbell, Bartley Theodore, 1843–1888, The Virginian [in, The White Slave & Other Plays by Bartley Campbell: Edited by Napier Wilt]
Princeton Princeton University Press 1941

Campbell, Bartley Theodore, 1843–1888, The White Slave [in, The White Slave & Other Plays by Bartley Campbell: Edited by Napier Wilt]
Princeton Princeton University Press 1941

Cannon, Charles James, 1800–1860, Better Late Than Never. An Attempt at Comedy [in, Dramas]
New York Edward Dunigan And Brother 1857

Cannon, Charles James, 1800–1860, Dolores:—a Tragedy [in, Dramas]
New York Edward Dunigan And Brother 1857

Cannon, Charles James, 1800–1860, The Compact [in, Poems, Dramatic and Miscellaneous]
New-York Edward Dunigan And Brother 1851
Only “The Compact” included.

Cannon, Charles James, 1800–1860, The Oath of Office. A Tragedy
New York William Taylor & Co. 1854
Preliminaries omitted.

Cannon, Charles James, 1800–1860, The Sculptor's Daughter: a Play [in, Dramas]
New York Edward Dunigan And Brother 1857

Cawein, Madison Julius, 1865–1914, Cabestaing: A Tragedy [in, The Shadow Garden (a Phantasy) and Other Plays: By Madison Cawein]
New York G. P. Putnam's Sons 1910
Preliminaries omitted.

Cawein, Madison Julius, 1865–1914, The Dryads: A One-Act Lyrical Drama Of Ancient Greece [in, The Poet, the Fool and the Faeries: By Madison Cawein]
Boston Small, Maynard and Company [1912]
Preliminaries omitted.

Cawein, Madison Julius, 1865–1914, The House of Fear: A Mystery [in, The Shadow Garden (A Phantasy) and Other Plays: By Madison Cawein]
New York G. P. Putnam's Sons 1910
Preliminaries omitted.

Cawein, Madison Julius, 1865–1914, The Shadow Garden: A Phantasy [in, The Shadow Garden (A Phantasy) and Other Plays: By Madison Cawein]
New York G. P. Putnam's Sons 1910
Preliminaries omitted.

Cawein, Madison Julius, 1865–1914, The Witch: A Miracle [in, The Shadow Garden (A Phantasy) and Other Plays: By Madison Cawein]
New York G. P. Putnam's Sons 1910
Preliminaries omitted.

Channing, William Ellery, 1817-1901, John Brown, and the Heroes of Harper's Ferry. A Poem. By William Ellery Channing
Boston Cupples, Upham and Company Preliminaries omitted.

Channing, William Ellery, 1817-1901, The Fatal Passion, a Dramatic Sketch [in, The Collected Poems of William Ellery Channing the Younger, 1817 – 1901: facsimile reproductions edited with an introduction by Walter Harding]
Gainesville Scholars' Facsimiles & Reprints 1967
Preliminaries and introductory matter omitted.

Chapman, Samuel H., The Red Rover, a Drama, in Three Acts, Founded on the Popular Novel ... as Performed at the London Theatres
Philadelphia F. Turner 1828
Preliminaries omitted.

Checkley, John, 1680–1754, Dialogues, between a Minister and an Honest Country-Man, Concerning Election and Predestination, Very Suitable to the Present Times. To which is Annexed. Divine Prescience Consistent with Human Liberty: Or Mr. Wesley's Opinion of Election and Reprobation, Prov'd to be Not so Absurd as Represented in a Late Letter, Under the Title of Free Grace Indeed: But to be Clear of Those Destructive Consequences That Will Forever Attend the Calvinistical Doctrine Of Absolute-Fatality
Philadelphia Andrew Bradford, Jacob Duche, Williams Parsons, And Evan Morgan, Cooper 1741
Preliminaries omitted.

Cheney, John Vance, 1848–1922., Queen Helen [in, Queen Helen and Other Poems by John Vance Cheney]
Chicago Way & Williams 1895

Chester, Leonard, 1750–1803, Federalism Triumphant in the Steady Habits of Connecticut Alone, or, The Turnpike Road to a Fortune. A Comic Opera Or, Political Farce in Six Acts, as Performed at the Theatres Royal and Aristocratic at Hartford and New-Haven October, 1801
City unknown Publisher unknown 1801
Preliminaries omitted.

Chivers, T. H. (Thomas Holley), 1809–1858, Conrad and Eudora; or, The Death of Alonzo. A Tragedy. In Five Acts. Founded on The Murder of Sharpe, by Beauchamp, in Kentucky
Philadelphia Publisher unknown 1834
Preliminaries omitted.

Chivers, T. H. (Thomas Holley), 1809–1858, The Sons of Usna: A Tragi-Apotheosis, in Five Acts
Philadelphia C. Sherman & Son, Printers 1858
Preliminaries omitted.

Clapp, William Warland, 1826–1891, La Fiammina. (Founded upon a French Play, by Mario Uchard)
Boston William V. Spencer 1857
Preliminaries omitted.

Clapp, William Warland, 1826–1891, My Husband's Mirror, a Domestic Comedietta, in One Act. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Now Performed at the Principal English and American Theatres
New York Samuel French 1857
Preliminaries omitted.

Clarke, M. (Mary), The Benevolent Lawyers, or, Villainy Detected. A Comedy, in Five Acts
Philadelphia Publisher unknown 1823
Preliminaries omitted.

Clarke, M. (Mary), The Fair Americans, an Original Comedy: In Five Acts. By Mrs. Carr
Philadelphia Mrs. Carr 1815
Preliminaries omitted.

Clinch, Charles Powell, 1797–1880., The Spy: A Tale of the Neutral Ground (From the Novel of that Name): A Dramatic Romance in Three Acts: By Charles Powell Clinch [in, Metamora & Other Plays: By John Augustus Stone: Silas S. Steele: Charles Powell Clinch: Joseph M. Field: H. J. Conway(?): John H. Wilkins: Joseph Stevens Jones: John Brougham. Edited by Eugene R. Page]
Princeton Princeton University Press 1941

Cockings, George, d. 1802, The Conquest of Canada: Or, The Seige of Quebec; Historical Tragedy of Five Acts
London Printed for the Author 1766
Preliminaries omitted.

Cody, Isaac, Tragedy, Founded on the History of Joseph and His Brethren. As Recorded in Sacred Scripture. In Five Acts. By Isaac Cody
Schenectady Ryer Schermerhorn 1808
Preliminaries omitted.

Coffin, F. B. (Frank Barbour), b. 1871, Ajax' Death. (A Drama) [in, Coffin's Poems with Ajax' Ordeals by F. B. Coffin]
Little Rock, Arkansas The Colored Advocate 1897
Preliminaries omitted

Conrad, Robert Taylor, 1810–1858, Jack Cade, the Captain of the Commons. A Tragedy. In Four Acts. With an Historical Introduction
London Thomas Hailes Lacy [1868]
Preliminaries omitted.

Conway, H. J., 1800–1860, Dred; A Tale of the Great Dismal Swamp. A Drama, in Four Acts, Founded on the Novel of the Same Title, by Mrs. H. B. Stowe
New-York John W. Amerman, Printer 1856
Preliminaries omitted.

Conway, H. J., 1800–1860, Hiram Hireout; or, Followed by Fortune. A Farce, in One Act. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Principal English and American Theaters
New York Samuel French 1868?
Preliminaries omitted.

Conway, H. J., 1800–1860, Our Jemimy: Or, Connecticut Courtship. A Farce, in One Act. Written Expressly for Mrs. Barney Williams. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Broadway Theatre, N. Y.
New-York Samuel French 1856?
Preliminaries omitted.

Conway, H. J., 1800–1860, The Battle of Stillwater; Or, The Maniac: In three acts, founded on national events ... By H. J. Conway (?) [in, Metamora & Other Plays: By John Augustus Stone: Silas S. Steele: Charles Powell Clinch: Joseph M. Field: H. J. Conway (?): John H. Wilkins: Joseph Stevens Jones: John Brougham. Edited by Eugene R. Page]
Princeton Princeton University Press 1941

Cook, Will Marion., “Jes Lak White Fo'ks” A One Act Negro Operetta by Will Marion Cook With Additional Lyrics by Paul Laurence Dunbar
New York London Will M. Cook Frank Dean & Co. 1900

Coombe, Thomas, 1747–1822, An Exercise, Containing a Dialogue and Two Odes, Performed at the Public Commencement in the College of Philadelphia, November 17, 1767
Philadelphia William Goddard 1767
Preliminaries omitted.

Coyne, J. Stirling (Joseph Stirling), 1803–1868, Did You Ever Send Your Wife to Brooklyn? An Original Farce, in One Act. Correctly Printed from the Most Approved Acting Copy. With a Description of the Costume, Cast of the Characters, Entrances and Exits, Relative Positions, and the Whole of the Stage Business; to which Are Added, Properties and Directions, as Performed in the Principal Theatres
New York Turner & Fisher 18––?
Preliminaries omitted.

Crafts, William, 1787–1826, The Sea Serpent; or Gloucester Hoax. A Dramatic Jeu D'Esprit, in Three Acts
Charleston A. E. Millar 1819
Preliminaries omitted.

Cranch, Christopher Pearse, 1813–1892, Ariel and Caliban [in, Ariel and Caliban with Other Poems by Christopher Pearse Cranch]
Boston Houghton, Mifflin and Company 1887
Preliminaries omitted.

Cranch, Christopher Pearse, 1813–1892, Satan: A Libretto. By Christopher Pearse Cranch
Boston Roberts Brothers 1874

Cromwell, Oliver, of South Carolina, The Soldier's Wreath; or, The Battle Ground of New Orleans, and Other Poems
Charleston W. Riley 1828
Only “Kosciusko, Or The Fall Of Warsaw” included.

Croswell, Joseph, A New World Planted; or, The Adventures of the Forefathers of New-England; Who Landed in Plymouth, December 22, 1620. An Historical Drama—in Five Acts
Boston Gilbert And Dean 1802
Only “The New World Planted” included.

Crothers, Rachel, 1878–1958., He and She by Rachel Crothers [in, Representative American Plays: Edited with Introductions and Notes by Arthur Hobson Quinn ...]
New York The Century Co. 1917

Cunningham, Virginia (Juhan), b. 1834, Madelaine, the Belle of the Faubourg. A Drama, in Three Acts. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Now Performed at the Principal English and American Theatres
New York Samuel French [1856]
Preliminaries omitted.

Custis, George Washington Parke, 1781–1857, Pocahontas: Or, The Settlers of Virginia, A National Drama, in Three Acts. Performed at the Walnut Street Theatre, Philadelphia, Twelve Nights, with Great Success
Philadelphia Alexander 1830
Preliminaries omitted.

Custis, George Washington Parke, 1781–1857, The Indian Prophecy, a National Drama, in Two Acts. Founded upon a Most Interesting and Romantic Occurrence in the Life of General Washington
Georgetown James Thomas 1828
Preliminaries omitted.

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