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Bailey, John J., d. 1873, Waldimar. A Tragedy, in Five Acts
New-York James Van Norden, Printer 1834
Preliminaries omitted.
Bailey, Jonathan S., The Sultana; or, A Trip to Turkey. A Melo-Drama, in Three Acts, Founded on Lord Byron's Don Juan
New-York C. N. Baldwin 1822
Preliminaries omitted.
Baker, Benjamin Archibald, 1818–1890, A Glance at New York. A Local Drama, in Two Acts. To Which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Principal English and American Theaters
New York London Samuel French 189–?
Preliminaries omitted.
Baker, George Melville, 1832–1890, A Drop Too Much [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, A Sea of Troubles. An Original Farce [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, Once on a Time. A Drama in Two Acts [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, Stand By The Flag! A Patriotic Sketch [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, Sylvia's Soldier. A Comedy in Two Acts [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, The Freedom of the Press. A Farce [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, The Greatest Plague in Life. A Farce [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, The Peddler of Very Nice. A Burlesque of The Trial-Scene in The Merchant of Venice [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, The Rival Poets. An Interlude for Young Performers [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, The Sculptor's Triumph. A National Allegory [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, The Tempter; Or, The Sailor's Return [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, Wanted, A Male Cook. A Farce [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Baker, George Melville, 1832–1890, We're All Teetotalers. A Farce [in, Amateur Dramas for Parlor Theatricals, Evening Entertainments, and School Exhibitions. By George M. Baker]
Boston Lee & Shepard 1870
Bangs, John Kendrick, 1862–1922., Mephistopheles: A Profanation by John Kendrick Bangs
New York Gillis Brothers & Turnure, Art Age Press 1889
Bangs, John Kendrick, 1862–1922., The Worsted Man: A Musical Play for Amateurs By John Kendrick Bangs
New York London Harper & Brothers 1905
Bannister, Nathaniel Harrington, 1813–1847, England's Iron Days. A Tragedy, in Five Acts
New Orleans Wm. McKean & Co. 1837
Preliminaries omitted.
Bannister, Nathaniel Harrington, 1813–1847, Gaulantus, a Tragedy, in Five Acts
Cincinnati Flash, Ryder And Co. 1836
Preliminaries omitted.
Bannister, Nathaniel Harrington, 1813–1847, Putnam, The Iron Son of '76. A National Military Drama, in Three Acts. With Original Casts, Costumes, and the Whole of the Stage Business Correctly Marked and Arranged, by Mr. J. B. Wright, Stage Manager Holiday Street Theatre, Baltimore
Boston William V. Spencer 1859
Preliminaries omitted.
Bannister, Nathaniel Harrington, 1813–1847, The Gentleman of Lyons; or, The Marriage Contract. A Play, in Five Acts
New-York Levison & Brother 1838
Preliminaries omitted.
Bannister, Nathaniel Harrington, 1813–1847, The Three Brothers; or Crime Its Own Avenger: A Play in One Act, Dedicated to the Patrons of the Drama, in Buffalo
Buffalo, N. Y. Publisher unknown 1840
Preliminaries omitted.
Barbauld, Mrs. (Anna Letitia), 1743–1825, Alfred. A Drama [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “Alfred” included.
Barker, James Nelson, 1784–1858, How to Try a Lover. A Comedy. In Three Acts. As Performed at the Philadelphia Theatre
New-York David Longworth 1817
Preliminaries omitted.
Barker, James Nelson, 1784–1858, Marmion; or, Floddon Field. A Drama, Founded on the Poem of Walter Scott. From the First London Edition, of 1812
New-York The Longworth's 1812
Preliminaries omitted.
Barker, James Nelson, 1784–1858, Tears and Smiles: A Comedy, in Five Acts. Performed at the Theatre Philadelphia. First Acted Wednesday, 4th March, 1807
New-York David Longworth 1808
Preliminaries omitted.
Barker, James Nelson, 1784–1858, The Indian Princess; or, La Belle Sauvage. An Operatic Melo-Drame. In Three Acts. Performed at the Theatres Philadelphia and Baltimore
Philadelphia G. E. Blake 1808
Preliminaries omitted.
Barker, James Nelson, 1784–1858, The Tragedy of Superstition. With a Portrait of Mrs. Duff, in the Character of Mary
Philadelphia A. R. Poole 1826
Preliminaries omitted.
Barnard, Charles, 1838–1920, The County Fair: A Comedy in Four Acts by Charles Barnard and Neil Burgess
New York London Samuel French [1922]
Barnes, Charlotte Mary Sanford, 1819?–1863, Octavia Bragaldi; or The Confession. A Tragedy Founded on Facts [in, Plays, Prose and Poetry]
Philadelphia E. H. Butler & Co. 1848
Only “Octavia Bragaldi” included.
Barnes, Charlotte Mary Sanford, 1819?–1863, The Forest Princess, Or Two Centuries Ago. An Historical Play, in Three Parts [in, Plays, Prose and Poetry]
Philadelphia E. H. Butler & Co. 1848
Only “The Forest Princess, Or Two Centuries Ago” included.
Barton, Andrew, The Disappointment: Or, The Force of Credulity. A New American Comic-Opera, of Two Acts
New-York Publisher unknown 1767
Preliminaries omitted.
Bateman, Sidney Frances (Cowell), Mrs., 1823–1881, Self: An Original Comedy, in Three Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business
New-York Samuel French 1856
Preliminaries omitted.
Beach, Lazarus, 1760–1816, Jonathan Postfree, or The Honest Yankee. A Musical Farce, In Three Acts
New-York David Longworth 1807
Preliminaries omitted.
Beete, Mr. (John), The Man of the Times: Or, A Scarcity of Cash. A Farce. As Performed, with Universal Applause, at the Church-Street Theatre, Charleston
Charleston W. P. Young 1797
Preliminaries omitted.
Belasco, David, 1853–1931, La Belle Russe: A Duel in Four Acts (1881) [in, The Heart of Maryland & Other Plays by David Belasco: Edited with an Introduction and Notes by Glenn Hughes and George Savage]
Princeton Princeton University Press 1941
Belasco, David, 1853–1931, Naughty Anthony: A Farce in Three Acts (1899) [in, The Heart of Maryland & Other Plays by David Belasco: Edited with an Introduction and Notes by Glenn Hughes and George Savage]
Princeton Princeton University Press 1941
Belasco, David, 1853–1931, The Girl I Left Behind Me: An American Drama in Four Acts by David Belasco and Franklin Fyles (1893) [in, The Heart of Maryland & Other Plays by David Belasco: Edited with an Introduction and Notes by Glenn Hughes and George Savage]
Princeton Princeton University Press 1941
Belasco, David, 1853–1931, The Heart of Maryland: A Drama in Four Acts (1895) [in, The Heart of Maryland & Other Plays by David Belasco: edited with an introduction and notes by Glenn Hughes and George Savage]
Princeton Princeton University Press 1941
Belasco, David, 1853–1931, The Stranglers of Paris: A Melodrama in Seven Acts (1881) [in, The Heart Of Maryland & Other Plays by David Belasco: Edited with an Introduction and Notes by Glenn Hughes and George Savage]
Princeton Princeton University Press 1941
Belasco, David, 1853–1931, The Wife: A Play in Four Acts By David Belasco and Henry C. De Mille [in, The Plays of Henry C. De Mille: Written in Collaboration with David Belasco: Edited with an Introductory Essay by Robert Hamilton Ball]
Princeton Princeton University Press 1941
Bennett, Clarence., A Royal Slave By Clarence Bennett [in, The Great Diamond Robbery & Other Recent Melodramas by Edward M. Alfriend & A. C. Wheeler: Clarence Bennett: Charles A. Taylor: Lillian Mortimer: Walter Woods: Edited by Garrett H. Leverton]
Princeton Princeton University Press 1940
Bidwell, Barnabas, 1763–1833, The Mercenary Match. A Tragedy
New-Haven Meigs, Bowen And Dana 1784
Preliminaries omitted.
Bird, Robert Montgomery, 1806–1854, Caridorf; Or, The Avenger [in, The Cowled Lover & Other Plays by Robert Montgomery Bird: Edited by Edward H. O'Neill]
Princeton Princeton University Press 1941
Bird, Robert Montgomery, 1806–1854, News of the Night; Or, A Trip to Niagara [in, The Cowled Lover & Other Plays by Robert Montgomery Bird: Edited by Edward H. O'Neill]
Princeton Princeton University Press 1941
Bird, Robert Montgomery, 1806–1854, Oralloossa: Son of the Incas: A Tragedy: Philadelphia, February, 1832 [in, The Life and Dramatic Works of Robert Montgomery Bird by Clement E. Foust]
New York The Knickerbocker Press 1919
Bird, Robert Montgomery, 1806–1854, Pelopidas: Or The Fall Of The Polemarchs: A Tragedy In Five Acts: 1830–1840 [in, The Life And Dramatic Works Of Robert Montgomery Bird: By Clement E. Foust]
New York The Knickerbocker Press 1919
Bird, Robert Montgomery, 1806–1854, The Broker of Bogota: A Tragedy [in, The Life and Dramatic Works of Robert Montgomery Bird By Clement E. Foust]
New York The Knickerbocker Press 1919
Bird, Robert Montgomery, 1806–1854, The Cowled Lover [in, The Cowled Lover & Other Plays by Robert Montgomery Bird: Edited by Edward H. O'Neill]
Princeton Princeton University Press 1941
Bird, Robert Montgomery, 1806–1854, The Gladiator: A Tragedy in Five Acts [in, The Life and Dramatic Works of Robert Montgomery Bird by Clement E. Foust]
New York The Knickerbocker Press 1919
Bird, Robert Montgomery, 1806–1854, Twas All for the Best; Or, 'Tis All a Notion [in, The Cowled Lover & Other Plays by Robert Montgomery Bird: Edited by Edward H. O'Neill]
Princeton Princeton University Press 1941
Bisbee, Noah, The History of the Falcos. A Comedy in Four Acts. Part First
Walpole Observatory Press 1808
Preliminaries omitted.
Boker, George H. (George Henry), 1823–1890, Anne Boleyn: A Tragedy [in, Plays and Poems. In Two Volumes. Vol. I]
Philadelphia J. B. Lippincott & Co. 1883
Only “Anne Boleyn: A Tragedy” included.
Boker, George H. (George Henry), 1823–1890, Calaynos: A Tragedy [in, Plays and Poems. In Two Volumes. Vol. I]
Philadelphia J. B. Lippincott & Co. 1883
Only “Calaynos: A Tragedy” included.
Boker, George H. (George Henry), 1823–1890, Francesca Da Rimini: A Tragedy [in, Plays and Poems. In Two Volumes. Vol. I]
Philadelphia J. B. Lippincott & Co. 1883
Only “Francesca Da Rimini: A Tragedy” included.
Boker, George H. (George Henry), 1823–1890, Glaucus [in, Glaucus & Other Plays by George Henry Boker: Edited, with Introduction and Notes by Sculley Bradley] Preliminaries omitted. Boker, George H. (George Henry), 1823–1890, Königsmark: A Tragedy [in, Königsmark: The Legend of the Hounds and Other Poems. By George H. Boker] Boker, George H. (George Henry), 1823–1890, Leonor De Guzman: A Tragedy [in, Plays and Poems. In Two Volumes. Vol. I] Boker, George H. (George Henry), 1823–1890, Nydia: a Tragic Play by George Henry Boker: Edited by Edward Sculley Bradley Boker, George H. (George Henry), 1823–1890, The Bankrupt [in, Glaucus & Other Plays by George Henry Boker: Edited, with Introduction and Notes by Sculley Bradley] Boker, George H. (George Henry), 1823–1890, The Betrothal: A Play [in, Plays and Poems. In Two Volumes. Vol. II] Boker, George H. (George Henry), 1823–1890, The Podesta's Daughter: A Dramatic Sketch [in, The Podesta's Daughter and Other Miscellaneous Poems] Boker, George H. (George Henry), 1823–1890, The Widow's Marriage: A Comedy [in, Plays and Poems. In Two Volumes. Vol. II] Boker, George H. (George Henry), 1823–1890, The World a Mask: A Comedy [in, Glaucus & Other Plays by George Henry Boker: Edited, with Introduction and Notes by Sculley Bradley] Boucicault, Dion, 1820–1890, A Lover by Proxy. A Comedietta in One Act. As Performed at the Theatre Royal Haymarket. Correctly Printed from the Prompter's Copy, with the Cast of Characters, Costume, Scenic Arrangement, Sides of Entrance and Exit and Relative Positions of the Dramatis Personæ Boucicault, Dion, 1820–1890, Andy Blake: or, The Irish Diamond, a Comedy in Two Acts. By Dion Bourcicault ... Boucicault, Dion, 1820–1890, Arrah-na-Pogue; or, The Wicklow Wedding Boucicault, Dion, 1820–1890, Dot [in, Forbidden Fruit & Other Plays by Dion Boucicault: Edited by Allardyce Nicoll and F. Theodore Cloak] Boucicault, Dion, 1820–1890, Flying Scud [in, Forbidden Fruit & Other Plays by Dion Boucicault: Edited by Allardyce Nicoll and F. Theodore Cloak] Boucicault, Dion, 1820–1890, Forbidden Fruit [in, Forbidden Fruit & Other Plays by Dion Boucicault: Edited by Allardyce Nicoll and F. Theodore Cloak] Boucicault, Dion, 1820–1890, Jessie Brown; Or, The Relief of Lucknow. A Drama, in Three Acts. By Dion Boucicault Boucicault, Dion, 1820–1890, Led Astray, A Comedy in 5 Acts. By Dion Boucicault ... Boucicault, Dion, 1820–1890, London Assurance. A Comedy in Five Acts. With the Stage Business, Cast of Characters, Costumes, Relative Positions, &c. As Performed at the Park Theatre. Boucicault, Dion, 1820–1890, London Assurance. A Comedy, in Five Acts. By Dion Boucicault Boucicault, Dion, 1820–1890, Louis XI [in, Forbidden Fruit & Other Plays by Dion Boucicault: Edited by Allardyce Nicoll and F. Theodore Cloak] Boucicault, Dion, 1820–1890, Mercy Dodd [in, Forbidden Fruit & Other Plays by Dion Boucicault: Edited by Allardyce Nicoll and F. Theodore Cloak] Boucicault, Dion, 1820–1890, Old Heads and Young Hearts; a Comedy, In Five Acts, by Dion Bourcicault ... As performed at the Theatre Royal, Haymarket. Correctly printed from the prompter's copy, with the cast of characters, costume, scenic arrangement, sides of entrance and exit, and relative positions of the dramatis personæ. Illustrated with an engraving, by Mr. Brewer, taken during the representation of the piece Boucicault, Dion, 1820–1890, Pauvrette. A Drama, in Five Acts. By Dion Boucicault ... With Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c. As Performed at the Principal Theatres Boucicault, Dion, 1820–1890, Robert Emmet [in, Forbidden Fruit & Other Plays by Dion Boucicault: Edited by Allardyce Nicoll and F. Theodore Cloak] Boucicault, Dion, 1820–1890, The Colleen Bawn; or the Brides of Garryowen. A Domestic Drama, in three acts. By Dion Boucicault Boucicault, Dion, 1820–1890, The Irish Heiress, A Comedy, in Five Acts. By Dion. Bourcicault ... Boucicault, Dion, 1820–1890, The Jilt. A Comedy Drama in Five Acts. By Dion Boucicault [in, French's Acting Edition ... Volume 152] Boucicault, Dion, 1820–1890, The Knight of Arva, a comic drama, in two acts. By Dion Bourcicault ... With cast of characters, stage business, costumes relative positions, etc., etc. As performed at the principal theatres Boucicault, Dion, 1820–1890, The O'Dowd By Dion Boucicault ... [in, French's Acting Edition ... Volume 156] Boucicault, Dion, 1820–1890, The Octoroon; or, Life in Louisiana. A Play, in four acts. By Dion Boucicault Boucicault, Dion, 1820–1890, The Old Guard. A Drama, in One Act. By Dion Boucicault. As Performed at the Chatham Theatre, America, on Friday, August 1, 1845 Boucicault, Dion, 1820–1890, The Poor of New York. A Drama in Five Acts. By the **** Club. To Which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits;—Relative Positions of the Performers on the Stage and the Whole of the Stage Business. As Performed at Wallack's Theatre, December, 1857 Boucicault, Dion, 1820–1890, The Prima Donna. A Comedy. In Two Acts. By Dion Boucicault ... Boucicault, Dion, 1820–1890, The Queen of Spades. A Drama, in two acts. Adapted from “La Dame de Pique,” by Dion Boucicault Boucicault, Dion, 1820–1890, The Shaughraun: An original drama, in three acts, by Dion Boucicault Boucicault, Dion, 1820–1890, Used Up. As Performed at the Theatre Royal, Haymarket. Correctly Printed from the Prompter's Copy, with the cast of characters, costume, scenec arrangements, sides of entrance and exit, and relative positions of the Dramatis Personæ Bowers, E., The Man About Town. A Negro Farce in One Act by E. Bowers Brackenridge, H. H. (Hugh Henry), 1748–1816 / Freneau, Philip Morin, 1752–1832, A Poem, on the Rising Glory of America; Being an Exercise Delivered at the Public Commencement at Nassau-Hall, September 25, 1771 Brackenridge, H. H. (Hugh Henry), 1748–1816, The Battle of Bunkers-Hill. A Dramatic Piece, of Five Acts, in Heroic Measure. By a Gentleman of Maryland Brackenridge, H. H. (Hugh Henry), 1748–1816, The Death of General Montgomery, in Storming the City of Quebec. A Tragedy. With an Ode, in Honour of the Pennsylvania Militia, and the Small Band of Regular Continental Troops, Who Sustained the Campaign, in the Depth of Winter, January, 1777, and Repulsed the British Forces from the Banks of the Delaware. To which Are Added Elegaic Pieces, Commemorative of Distinguished Characters. By Different Gentlemen Bray, John, 1782–1822, The Tooth-Ache; or, Mistakes of a Morning. A Petit Comedy, in One Act. A Free Translation from the French. Performed with the Greatest Applause, at the Theatre, Philadelphia Bray, John, 1782–1822, Transformation; or, Love and Law. A Musical Farce, in Two Acts. As Performed at the Theatres London, Philadelphia, and Baltimore. First Edition, from the Original Manuscript Breck, Charles, 1782–1822, The Fox Chase. A Comedy. In Five Acts. As Performed at the Theatres Philadelphia and Baltimore Breck, Charles, 1782–1822, The Trust. A Comedy. In Five Acts Breck, Joseph, West Point; or A Tale of Treason, an Historical Drama, in Three Acts. Dramatised from Ingraham's Romance of American History. With a Prologue by John H. Hewitt, Esq. Epilogue by R. Horace Pratt, Esq. Brice, James F., A Country Clown, or, Dandyism Improved. A Dramatic Medley, in One Act Brice, James F., Andrew Jackson, an Interlude in Three Acts Brice, James F., Democedes, an Interlude in One Act. Second Edition, (Revised,) with the Addition of a Third Scene. Performed with Unbounded Applause in Annapolis, (Md.) on the 16th of August 1827, by Messrs. Mestayer & Company. Brougham, John, 1810–1880 / Goodrich, Frank Boott, 1826–1894, The Dark Hour Before Dawn. A Play, in Five Acts. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. First Performed by Amateurs, for the Benefit of the American Dramatic Fund Brougham, John, 1810–1880, A Decided Case. A Dramatic Sketch, in One Act. To Which Are Added, a Description of the Costumes—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business Brougham, John, 1810–1880, A Message from the Sea. A Drama, in Four Acts. Founded on Charles Dickens's Tale of That Name, by John Brougham Brougham, John, 1810–1880, All's Fair in Love: An Original Dramatic Story. In Five Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business Brougham, John, 1810–1880, Captain Cuttle. A Comic Drama, in One Act. Being a few more Scenes from the Moral of “Dombey and Son.” By John Brougham Brougham, John, 1810–1880, Columbus, El Filibustero!! A New and Audaciously Original Historico-Plagiaristic, Ante-National, Pre-Patriotic, and Omni-Local Confusion of Circumstances, Running through Two Acts and Four Centuries. As Performed at Burton's Theatre, December, 1857 and at Holliday Street Theatre, Baltimore, 1858 Brougham, John, 1810–1880, David Copperfield. A Drama, in Three Acts. Adapted from Dickens' Popular Work of the Same Name, by John Brougham Brougham, John, 1810–1880, Dombey and Son. Dramatized from Dickens' Novel. In Three Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the New-York Theatres Brougham, John, 1810–1880, Dombey and Son. In three acts. Dramatized from Dickens' novel, by John Brougham Brougham, John, 1810–1880, Life in New York; or, Tom And Jerry an a Visit. A Comic Drama, in Two Acts, with Cast of Characters, Stage Business, Costumes, Relative Positions, Etc., Etc. As Performed at the Principal Theatres Brougham, John, 1810–1880, Life in the Clouds, or, Olympus in an Uproar. A Burlesque Burletta, as Performing at the English Opera House. Correctly Printed from the Prompt Copy, with Exits, Entrances, Etc. and for the First Time That Any Dramatic Work Has Posessed the Same Advantages in Publication. Plots of the Scenery, Properties, Calls. Copy of Original Bill, Incidents, &c. Brougham, John, 1810–1880, Love and Murder: A Farce, in One Act. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits— Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the New York Theatres Brougham, John, 1810–1880, Metamora; or The Last of the Pollywogs. A Burlesque in Two Acts Brougham, John, 1810–1880, Neptune's Defeat; or, The Seizure of the Seas. A New and Curiously Original Allegoric, Mythologic, Metaphoric Filtration of Sur-Passing Events. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Wallack's Theatre Brougham, John, 1810–1880, Night and Morning: A Play, in Five Acts. Adapted from Bulwer's Novel. As Performed at Wallack's Theatre. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business Brougham, John, 1810–1880, Playing with Fire; An Original Comedy, in Five Acts Brougham, John, 1810–1880, Po-ca-hon-tas, or, The Gentle Savage. In Two Acts. As Performed at Wallack's Theatre Brougham, John, 1810–1880, Romance and Reality. Or, The Young Virginian. An Original Comedy, in Five Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Broadway Theatre Brougham, John, 1810–1880, Take Care of Little Charley. A Farce, in One Act. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Wallack's Theater Brougham, John, 1810–1880, Temptation: Or, The Irish Emigrant. A Comic Drama, in Two Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business Brougham, John, 1810–1880, The Duke's Motto; Or, I Am Here! A Play in a Prologue and Four Acts By John Brougham [in, Metamora & Other Plays by John Augustus Stone: Silas S. Steele: Charles Powell Clinch: Joseph M. Field: H. J. Conway(?): John H. Wilkins: Joseph Stevens Jones: John Brougham: Edited by Eugene R. Page] Brougham, John, 1810–1880, The Game of Life. An Original Comedy, in Five Acts. With Cast of Characters, Stage Business, Costumes, Relative Positions, Etc. Etc. As Performed at Wallack's Theatre Brougham, John, 1810–1880, The Game of Love. An Original Comedy, in Five Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business, as Performed at Wallack's Theatre, N. Y. Brougham, John, 1810–1880, The Great Tragic Revival. A New and Undoubtedly Original Contemporaneous Dramatic Absurdity, in One Act and Several Tableaux. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Burton's Theatre Brougham, John, 1810–1880, The Gun-Maker of Moscow: Melo-Drama, in Three Acts. To which Are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business Brougham, John, 1810–1880, The Lottery of Life: A Story of New York: An Original Local Drama in Five Acts by John Brougham [in, French's Acting Edition: Number 1566] Brougham, John, 1810–1880, The Miller of New Jersey; or, The Prison-Hulk. An Historical Drama-Spectacle, in Three Acts. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Bowery Theater, N. Y. Brougham, John, 1810–1880, The Musard Ball; or, Love at the Academy. A Contemporaneous Extravaganza, in One Act. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at Burton's Theatre Brougham, John, 1810–1880, The Red Mask: or, The Wolf of Lithuania. A Melo-Drama, in Three Acts. To which are Added, a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business Brown, David Paul, 1795–1872, Sertorius: Or, The Roman Patriot. A Tragedy Brown, David Paul, 1795–1872, The Prophet of St. Paul's, a Play, in Five Acts Brown, Erastus, The Trial of Cain, the First Murderer. In Poetry, by Rule of Court; In which a Predestinarian, a Universalian, and an Arminian, Argue as Attornies at the Bar; the Two Former as the Prisoner's Counsel, the Latter as Attorney General Brown, William Wells, 1815–1884., The Escape; or, A Leap for Freedom. A Drama, in Five Acts. By William Wells Brown ... Bunce, Oliver Bell, 1828–1890, Love in '76: An Incident of the Revolution. A Comedietta in Two Acts. With Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c. As Performed at Laura Keene's Theatre, February 28th, 1857 Bunner, H. C. (Henry Cuyler), 1855–1896, Courtship with Variations. Comedy in One Act. By H. C. Bunner [in, Comedies for Amateur Acting. Edited, with a Prefatory Note on Private Theatricals, by J. Brander Matthews] Burk, John Daly, d. 1808, Bethlem Gabor, Lord of Transylvania, or, The Man Hating Palatine; An Historical Drama, in Three Acts Burk, John Daly, d. 1808, Bunker-Hill; or The Death of General Warren. An Historic Tragedy in Five Acts. As Played at the Theatres in America, for Fourteen Nights, with Unbounded Applause Burk, John Daly, d. 1808, Female Patriotism, or The Death of Joan d'Arc: An Historical Play, in V. Acts. Burke, Charles, 1822–1854, Rip Van Winkle; A Legend of the Catskills. A Romantic Drama, in Two Acts. Adapted from Washington Irving's Sketch Book. With Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c. As Performed at the Principal American Theatres Burnett, Frances Hodgson, 1849–1924, Little Lord Fauntleroy: A Drama in Three Acts Founded on the Story of the Same Name by Frances Hodgson Burnett Burnett, Frances Hodgson, 1849–1924, Racketty-Packetty House: A Play in Prologue and Three Acts: By Frances Hodgson Burnett Burnett, Frances Hodgson, 1849–1924, The Little Princess: A Play for Children and Grown-up Children in Three Acts by Mrs. Frances Hodgson Burnett Burnett, James Gilbert, Blanche of Brandywine. An American Patriotic Spectacle, with Cast of Characters, Stage Business, Costumes, Relative Positions, &c., &c. as Performed at Laura Keene's Theatre, April, 1858 Send your suggestions, comments or queries to our .
Princeton Princeton University Press 1940
Philadelphia J. B. Lippincott & Co. 1869
Preliminaries omitted.
Philadelphia J. B. Lippincott & Co. 1883
Only “Leonor De Guzman: A Tragedy” included.
Philadelphia University of Pennsylvania Press 1929
Preliminaries and introductory matter omitted.
Princeton Princeton University Press 1940
Philadelphia J. B. Lippincott & Co. 1883
Only “The Betrothal: A Play” included.
Philadelphia A. Hart 1852
Only “The Podesta's Daughter” included.
Philadelphia J. B. Lippincott & Co. 1883
Only “The Widow's Marriage: A Comedy” included.
Princeton Princeton University Press 1940
London Webster & Co. 184–?
Preliminaries omitted.
New York [S. French] 1856
London [1865]
Preliminaries omitted.
Princeton Princeton University Press 1940
Princeton Princeton University Press 1940
Princeton Princeton University Press 1940
[London] [John Dicks] [1883?]
New York London Samuel French [1873]
New York Samuel French 186–
Preliminaries omitted.
London Thomas Hailes Lacy [1858]
Preliminaries omitted.
Princeton Princeton University Press 1940
Princeton Princeton University Press 1940
London Webster and Co. [1845]
Preliminaries omitted.
New York London Samuel French [1858]
Princeton Princeton University Press 1940
London Thomas Hailes Lacy [1865?]
Preliminaries omitted.
London Andrews 1842
London New York Samuel French [1904]
New York Samuel French [1868?]
Preliminaries omitted.
London New York Samuel French [1909]
London Thomas Hailes Lacy [1866?]
Preliminaries omitted.
London Dicks [1900]
Preliminaries omitted.
New York and London Samuel French [c. 1857]
London Thomas Hailes Lacy [1852]
Preliminaries omitted.
London Thomas Hailes Lacy [n.d.]
Preliminaries omitted.
London Samuel French New York Samuel French & Son [1885]
Preliminaries omitted.
London [Unknown] [1845]
Boston William H. Baker & Co. 1894
Philadelphia Joseph Crukshank 1772
Preliminaries omitted.
Philadelphia Robert Bell 1776
Preliminaries omitted.
Norwich J. Douglass M'Dougall 1777
Preliminaries and “Elegaic Pieces” omitted.
Philadelphia M. Carey 1814
Preliminaries omitted.
Baltimore J. Robinson 1814
Preliminaries omitted.
New York David Longworth 1808
Preliminaries omitted.
New-York David Longworth 1808
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Baltimore Bull & Tuttle 1840
Preliminaries omitted.
Annapolis J. Green 1829
Preliminaries omitted.
Annapolis J. Green 1828
Preliminaries omitted.
Annapolis J. Green 1827
Preliminaries omitted.
New York Samuel French 1858
Preliminaries omitted.
New-York Samuel French 1857
Preliminaries omitted.
London John Dicks [1883]
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
London John Dicks [1884]
Preliminaries omitted.
New York Samuel French 1858
Preliminaries omitted.
London John Dicks [1885]
Preliminaries omitted.
New-York Samuel French [185–]
Preliminaries omitted.
London John Dicks [1885]
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
London J. Pattie 1840
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
Boston H. W. Swett [1859]
Preliminaries omitted.
New York Samuel French 1858
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
London Thomas Hailes Lacy 1860
Preliminaries omitted.
New York London Samuel French 18––?
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
New York Samuel French 1858
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
Princeton Princeton University Press 1941
New-York Samuel French 1856
Preliminaries omitted.
New-York Samuel French 1855
Preliminaries omitted.
New York Samuel French 1858
Preliminaries omitted.
New York Samuel French 1856
Preliminaries omitted.
London New York Samuel French [1875]
New York Samuel French 1858
Preliminaries omitted.
New York Samuel French 1858
Preliminaries omitted.
New-York Samuel French 1856
Preliminaries omitted.
Philadelphia Miffin & Parry 1830
Preliminaries omitted.
Philadelphia Carey And Hart 1836
Preliminaries omitted.
Boston Publisher unknown 1827
Preliminaries omitted.
Boston R. F. Wallcut 1858
New York Samuel French 1857
Preliminaries omitted.
New York Appleton and Company 1880
Petersburg Somervele & Conrad 1807
Preliminaries omitted.
New-York T. Greenleaf 1797
Preliminaries omitted.
New-York Robert M. Hurtin 1798
Preliminaries omitted.
New York London Samuel French 186–?
Preliminaries omitted.
London New York Samuel French [1889]
New York London Samuel French [1927]
London New York Samuel French 1911
New York London Samuel French 1858
Preliminaries omitted.