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Adams, C. L. (Charles L.), Favelle: Or The Fatal Duel. A Drama, in One Act
Boston Publisher unknown 1809
Preliminaries omitted.
Addis, J. B., Vanity; or, A Lord in Philadelphia. Corrected by J. B. Addis, Stage Manager, Arch Street Theatre
Philadelphia T. K. And P. G. Collins 1854
Preliminaries omitted.
Aiken, George L., 1830–1876, Uncle Tom's Cabin; or, Life Among the Lowly. A Domestic Drama, in Six Acts. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Principal English and American Theaters
New-York Samuel French [1859]
Preliminaries omitted.
Alcott, Louisa May, 1832–1888, Bianca. Operatic Tragedy [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”]
Boston Roberts Brothers 1893
Alcott, Louisa May, 1832–1888, Captive of Castile; or, The Moorish Maiden's Vow [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”]
Boston Roberts Brothers 1893
Alcott, Louisa May, 1832–1888, Ion [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”]
Boston Roberts Brothers 1893
Alcott, Louisa May, 1832–1888, Norna; or, The Witch's Curse [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”]
Boston Roberts Brothers 1893
Alcott, Louisa May, 1832–1888, The Greek Slave [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”]
Boston Roberts Brothers 1893
Alcott, Louisa May, 1832–1888, The Unloved Wife; or, Woman's Faith [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”]
Boston Roberts Brothers 1893
Aldrich, Thomas Bailey, 1836–1907, Judith Of Bethulia: A Tragedy [in, The Poems of Thomas Bailey Aldrich: Revised and Complete: Household Edition]
Boston Houghton, Mifflin and Company [1907]
Preliminaries omitted.
Aldrich, Thomas Bailey, 1836–1907, Mercedes [in, Mercedes, and Later Lyrics]
Boston Houghton, Mifflin and Company 1884
Aldrich, Thomas Bailey, 1836–1907, Scene of Blanchette [in, The Bells: A Collection of Chimes. By T. B. A.]
New York J. C. Derby 1855
Preliminaries and introductory matter omitted.
Aldrich, Thomas Bailey, 1836–1907, The Set of Turquoise: A Dramatic Sketch [in, The Ballad of Babie Bell and Other Poems: By Thomas Bailey Aldrich]
New York Rudd & Carleton 1860
Preliminaries omitted.
Alfriend, Edward M., The Great Diamond Robbery by Colonel Edward M. Alfriend and A. C. Wheeler [in, The Great Diamond Robbery & Other Recent Melodramas by Edward M. Alfriend & A. C. Wheeler: Clarence Bennett: Charles A. Taylor: Lillian Mortimer: Walter Woods: Edited by Garrett H. Leverton]
Princeton Princeton University Press 1940
Allan, Adam, d. 1823, The New Gentle Shepherd. A Pastoral Comedy, originally Written, in the Scotch Dialect, by Allan Ramsay. Reduced to English by Lieutenant Adam Allan
London W. J. And J. Richardson 1823
Preliminaries omitted.
Alltruth, Tobias S., The Magician and “the Holy Alliance,” or “The Spirit of the Book.” A Melo Drama, a Hundred Acts in One. Translated from the Original Greek MS. of Don Reynaldo De Moscheto, a Knight Of St. John, &c.
Philadelphia Publisher unknown 1820
Preliminaries omitted.
Anon., 1865–1900 (Dramas of the American Realistic Period), 16,000 Years Ago! An Ethiopian Act, as Performed by Buckley's Serenaders [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), An Elephant on Ice. An Ethiopian Interlude, in One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Four]
New York Happy Hours Company [1875]
Anon., 1865–1900 (Dramas of the American Realistic Period), Aunty Chloe; or, Down to Massa's Home. An Ethiopian Sketch, in One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers all over the Union. Part Five]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Bones at a Raffle. An Ethiopian Eccentricity, in Two Scenes [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers all over the Union. Part Four]
New York Happy Hours Company [1875]
Anon., 1865–1900 (Dramas of the American Realistic Period), Dancing Mad. An Ethiopian Eccentricity, in One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers all over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Dat Same Old Coon. An Ethiopian Farce. In Two Scenes [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Four]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), De Maid ob de Hunkpuncas. An Ethiopian Interlude. In One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Four]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), De Trouble Begins at Nine. An Act for Bones and Banjoist. As Played at 444 Broadway, New York 1866 [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Deaf—in a Horn, An Ethiopian Sketch in One Act, for Banjoist and Mock Banjo (“Bones.”): As Performed at Maguire's Opera House San Francisco, California, 1865 [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Dixie, Our Culler'd Brudder. An Ethiopian Opera, in One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Two]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Highest Price for Old Clothes; or The Tailor's Strike. An Original Darkey Eccentricity in One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Five]
New York Happy Hours Company [1875]
Anon., 1865–1900 (Dramas of the American Realistic Period), Mishaps of Cæsar Crum. An Ethiopian Farce, in Three Scenes [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Old Hunks. An Ethiopian Comicality. In One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Five]
New York Happy Hours Company [1875]
Anon., 1865–1900 (Dramas of the American Realistic Period), Old Uncle Billy. An Ethiopian Sketch, in One Scene. [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Six]
New York Happy Hours Company [1875]
Anon., 1865–1900 (Dramas of the American Realistic Period), Scenes at Gurney's. An Ethiopian Act, as Performed by the San Francisco Minstrels, New York [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Scipio Africanus. An Ethiopian Extravaganza, in Three Scenes [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), The Challenge Dance: A Prelude to Dance for Two Speaking Dancers, Musician to Speak, and Instrumental Quartette. As Performed by Bryant's Minstrels [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part One]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), The Darkey Tragedian. An Ethiopian Sketch, in One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Three]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), The Stage-Struck Darkey. An Interlude, in One Act [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Five]
New York Happy Hours Company [1875]
Anon., 1865–1900 (Dramas of the American Realistic Period), The Three Black Smiths. An Original Ethiopian Eccentricity. In One Scene [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Four]
New York Happy Hours Company [1874]
Anon., 1865–1900 (Dramas of the American Realistic Period), Turkeys in Season. An Original Ethiopian Whimsicality. In Two Scenes [in, Darkey Plays, a Collection of Ethiopian Dramas, Farces, Interludes, Burlesque Operas, Eccentricities, Extravaganzas, Comicalities, Whimsicalities, Etc., Etc., as Played by the Principal “Burnt Cork” Performers All Over the Union. Part Five]
New York Happy Hours Company [1875]
Anon., A Day in Turkey. A Farce, in Two Acts
Boston Leonard C. Bowles 1820
Preliminaries omitted.
Anon., A Dialogue, between a Southern Delegate, and His Spouse, on His Return from the Grand Continental Congress: A Fragment, Inscribed to the Married Ladies of America, by Their Most Sincere, and Affectionate Friend, and Servant, Mary V. V.
City unknown Publisher unknown 1774
Preliminaries omitted.
Anon., Agar. A Comedy. In One Act
New York D. And G. Bruce 1807
Preliminaries omitted.
Anon., Ahmed the Cobbler; or, The Astrologer. In Two Acts [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “Ahmed The Cobbler; Or, The Astrologer” included.
Anon., Alfred the Great; an Historical Tragedy, in Five Acts. By a Young Gentleman of This City
New-York E. Murden 1822
Preliminaries omitted.
Anon., Americana; or A New Tale of the Genii: Being an Allegorical Mask, in Five Acts
Baltimore W. Pechin 1802
Preliminaries omitted.
Anon., Blue Beard. Charade. In Two Syllables, and Three Scenes [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “Blue Beard. A Charade” included.
Anon., Catharine Brown, the Converted Cherokee: A Missionary Drama, Founded on Fact. Written by a Lady
New-Haven S. Converse 1819
Preliminaries omitted.
Anon., Cecilia. A Drama [in, The Casket: A Christmas and New Year's Present for Children and Young Persons]
Boston Bowles And Dearborn 1829
Only “Cecilia. A Drama” included.
Anon., Charles the Twelfth; or, The Battle of Pultowa. A Military Tragic Piece; in 4 Acts
New York Publisher unknown 1817
Preliminaries omitted.
Anon., Cinderella: Or, The Fairy and Little Glass Slipper; an Opera in Three Acts. Performed by Pyne and Harrison English Opera Troupe. Music by Rossini
Boston J. H. Eastburn's Press 1855
Preliminaries omitted.
Anon., Columbia and Britannia. A Dramatic Piece
New London T. Green 1787
Preliminaries omitted.
Anon., Deseret Deserted; or, The Last Days Of Brigham Young. Being a Strictly Business Transaction, in Four Acts and Several Deeds, Involving Both Prophet and Loss. As Performed at Wallack's Theatre
New York Samuel French 1858
Preliminaries omitted.
Anon., Fight-the-Good-Fight-of-Faith [in, Debates at the Robin-Hood Society, in the City of New York, on Monday Night 19th Of July, 1774]
New York Robin Hood Society 1774
Only “Fight-The-Good-Fight-Of-Faith” included.
Anon., From The Torquato Tasso Of Goethe [in, Ideals and Other Poems. By Algernon]
Philadelphia Henry Perkins 1842
Only “From The Torquato Tasso Of Goethe” [an excerpt] included.
Anon., General Lee. A Drama [in, Evenings in New England. Intended for Juvenile Amusement and Instruction. By an American Lady]
Boston Cummings, Hilliard And Company 1824
Only “General Lee” included.
Anon., Honesty is the Best Policy [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “Honesty Is The Best Policy” included.
Anon., Indoctum Parliamentum. A Farce, in One Act and a Beautiful Variety of Scenes
City unknown Publisher unknown 1818
Preliminaries omitted.
Anon., Isaac. A Comedy [in, The Juvenile Theatre: Containing the Best Dramatic Productions of the Celebrated Madame De Genlis. Translated from the French. By a Friend to Youth]
New York D. And G. Bruce 1807
Only “Isaac. A Comedy” included.
Anon., Joseph, Recognized by His Brothers [in, The Juvenile Theatre: Containing the Best Dramatic Productions of the Celebrated Madame De Genlis. Translated from the French. By a Friend to Youth]
New York D. And G. Bruce 1807
Only “Joseph, Recognized By His Brothers” included.
Anon., La Foret Noire: Or, Maternal Affection. A Serious Pantomime. In Three Acts. As Performed at the Boston Theatre. With Merited Applause
Boston John And Jos. N. Russell 1795
Preliminaries omitted.
Anon., Mary of Scotland, or The Heir of Avenel. A Drama, in Three Acts. Founded on the Popular Novel of “The Abbot”; and Originally Performed at the Theatre, New York, with Universal Applause
New-York Henry I. Megary 1821
Preliminaries omitted.
Anon., Matilda di Shabran and Corradino, or The Triumph of Beauty, an Opera, in Two Acts. The Music by Rossini. As Represented at the New York Opera House, February, 1834
New York J. M. Elliott 1834
Preliminaries and Italian text, on even numbered pages, omitted.
Anon., May Day, or The Celebration of the Return of Spring. Being a Play for the Amusement of Young Girls, on the First Day of May
City unknown Publisher unknown 1819
Preliminaries omitted.
Anon., Morning Visitors, or, A Trip to Quebec
City unknown Publisher unknown [1830]
Preliminaries omitted.
Anon., Moses in Egypt: Sacred Tragedy in Four Acts, as Performed for the First Time in the United States, at the Howard Athenæum, May 15, 1847
Boston Eastburn's Press 1847
Preliminaries omitted.
Anon., Nature and Philosophy: Adapted from the French. By a Citizen of Richmond, (Va.)
Richmond Shepherd & Pollard 1821
Preliminaries omitted.
Anon., Occurrences of the Times. Or, The Transactions of Four Days [Viz.—from Friday the 16th, to Monday the 19th January, 1789. A Farce. In Two Acts]
Boston Publisher unknown 1789
Preliminaries omitted.
Anon., Oscar Fitz-James, a Drama in Three Acts, Written by a Native of Virginia, a Youth in the Eighteenth Year of His Age
Richmond William A. Bartow 1819
Preliminaries omitted.
Anon., Osric and Lencastro; or, Parental Affection Rewarded. A Tragedy, in Five Acts
New-York H. Drake & Co. 1826
Preliminaries omitted.
Anon., Patriot. A Charade in Three Acts [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “Patriot. A Charade In Three Acts” included.
Anon., Philip, or The Aborigines. A Drama, in Three Acts
New York Publisher unknown 1822
Preliminaries omitted.
Anon., Saul. A Dramatic Sketch
Boston The American Monthly Magazine 1829
Preliminaries omitted.
Anon., Semiramis, A Tragico-Dramatic Opera. In Two Acts, the Music by Rossini. As Represented at Palmo's New York Opera House, January, 1845
New York Houel & Macoy 1845
Preliminaries and Italian text, on even numbered pages, omitted.
Anon., Shepherdess of the Alps; A Play, in Four Acts. By a Citizen of New York
New-York Thomas P. Low 1815
Preliminaries omitted.
Anon., Sidney; or The Self-Murderer Reclaimed: A Tragi-Comedy. From the French of Gresset [in, Select Translations and Imitations from the French of Marmontell and Gresset. By an Officer of the Army; Who Fought for America, Under Gen. Wolfe, at the Taking of Quebec]
New-York Samuel Campbell 1801
Only “Sidney; or The Self-Murderer Reclaimed” included.
Anon., Smerdis and Merea. A Dramatic Sketch
Boston True & Greene 1826
Preliminaries omitted.
Anon., Sophia: The Bandit of the Forest. A Play, in Three Acts. By a Gentleman of This City
New York Publisher unknown 1828
Preliminaries omitted.
Anon., Tan-gó-ru-a: An Historical Drama. In Prose
Philadelphia T. B. Peterson 1856
Preliminaries and notes omitted.
Anon., The Battle of Brooklyn, a Farce of Two Acts. As It Was Performed on Long-Island, on Tuesday the 27th Day of August, 1776. By the Representatives of the Tyrants of America, Assembled at Philadelphia
New-York J. Rivington 1776
Preliminaries omitted.
Anon., The Better Sort: Or, The Girl of Spirit. An Operatical, Comical Farce
Boston Isaiah Thomas And Company 1789
Preliminaries omitted.
Anon., The Blind Girl of Spa. A Comedy. In One Act [in, The Juvenile Theatre: Containing the Best Dramatic Productions of the Celebrated Madame De Genlis. Translated from the French. By a Friend to Youth]
New York D. And G. Bruce 1807
Only “The Blind Girl Of Spa” included.
Anon., The Blockheads: Or, The Affrighted Officers. A Farce
Boston G. Kearsley 1776
Preliminaries omitted.
Anon., The Blockheads; or, Fortunate Contractor. An Opera, in Two Acts, as it Was Performed at New York
New York London G. Kearsley 1782
Preliminaries omitted.
Anon., The Brothers, or Consequences. A Story of What Happens Every Day. With an Account of Savings Banks
Boston Hilliard And Metcalf 1823
Preliminaries omitted.
Anon., The Connecticut Emigrant. A Dialogue. Also, A Song, for the Anniversary of the Connecticut Agricultural Societies, Cattle Shows Fairs, and Exhibitions of Domestic Manufactures, for 1822
Hartford Publisher unknown 1822
Preliminaries omitted.
Anon., The Contrast. A Drama, in Three Acts [Dramatic Pieces, Calculated to Exemplify the Mode of Conduct which Will Render Young Ladies Both Amiable and Happy, When Their School Education is Completed]
New-Haven Abel Morse 1791
Only “The Contrast” included.
Anon., The Death of Adam. A Tragedy. In Three Acts [in, The Juvenile Theatre: Containing the Best Dramatic Productions of the Celebrated Madame De Genlis. Translated from the French. By a Friend to Youth]
New York D. And G. Bruce 1807
Only “The Death Of Adam” included.
Anon., The Distrest Family, a Drama, in Two Parts
Boston W. Spotswood 1796?
Preliminaries omitted.
Anon., The Double Conspiracy, or Treason Discovered but Not Punished. A Matter of Fact, Delineated After the Life, in the Form of a Play
Hartford Hudson & Goodwin 1783
Preliminaries omitted.
Anon., The Downfall of Justice; and The Farmer Just Return'd from Meeting on Thanksgiving Day. A Comedy, Lately Acted in Connecticut. In This Second Edition is Annexed, A Fable, by Way of an Address to a Countryman, on His Petitioning Jupiter for an Amendment of His Circumstances
Connecticut E. Russell 1777
Preliminaries omitted.
Anon., The Fatal Effects of Seduction
Bennington Haswell And Russell 1789
Preliminaries omitted.
Anon., The French Revolution: Including a Story, Founded in Fact, of Leontine and Matilda: A Drama Written & Exhibited in the United Fraternity, at Dartmouth College, 1790: Exhibited Also at Windsor, Vermont, May, 1791
New Bedford John Spooner 1790
Preliminaries omitted.
Anon., The Good Daughter-in-Law. A Drama, in Three Acts [in, Evenings in New England. Intended for Juvenile Amusement and Instruction. By an American Lady]
New-Haven Abel Morse 1791
Only “The Good Daughter-In-Law” included.
Anon., The Good Mother-in-Law [in, Dramatic Pieces, Calculated to Exemplify the Mode of Conduct which Will Render Young Ladies Both Amiable and Happy, When Their School Education is Completed]
New-Haven Abel Morse 1791
Only “The Good Mother-In-Law” included.
Anon., The Great Rebellion. Written Expressely for J. M. Hager's Grand Entertainment
Buffalo, N. Y. Matthews & Warren 1865
Preliminaries omitted.
Anon., The Gubernatocial Collection, a Farce. As Acted at C******t-H******l. Which Point Out the Variety of Characters That Have Arisen in the Political Uproar, Since the Confusion of Distinctions. Together with Other Scenes for the Amusement of the Curious
Newport Publisher unknown 1779
Preliminaries omitted.
Anon., The Intolerants. A Drama. Three First Acts of Things Among Us; as Performed at the ****** ****** with More Effect Than Applause
Philadelphia Publisher unknown 1827
Preliminaries omitted.
Anon., The Italian Husband [in, Plays of Leisure. The Italian Husband, A Dramatic Poem. The Young Dreamer, and Fugitive Offerings in Verse]
Philadelphia Jesper Harding 1825
Only “The Italian Husband” included.
Anon., The Little Gleaner. A Drama, in One Act [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “The Little Gleaner” included.
Anon., The Little Trifler. A Drama. In Three Parts
Boston W. Spotswood 1798
Preliminaries omitted.
Anon., The Maternal Sister. A Drama, in Three Acts [in, Dramatic Pieces, Calculated to Exemplify the Mode of Conduct which Will Render Young Ladies Both Amiable and Happy, When Their School Education is Completed]
New-Haven Abel Morse 1791
Only “The Maternal Sister” included.
Anon., The Military Glory of Great-Britain
Philadelphia Publisher unknown 1762
Musical score omitted.
Anon., The Misfortunes of Anger. A Drama. In Two Parts
Boston William Spotswood 1798
Preliminaries omitted.
Anon., The Night-Watch; or, Pirates' Den: A Melo-Drama, in Two Acts. By a Gentleman of Boston
Boston Munroe & Francis 1820
Preliminaries omitted.
Anon., The Ocean Spectre, an Entire New Grand Melo Drame: In Five Acts. Intersperced with Songs, Chorusses, &c. Translated from the French of Le Spectre De L'Ocean. Written by Flareau
New York Publisher unknown 1795
Preliminaries omitted.
Anon., The Paxton Boys, a Farce. Translated from the Original French. By a Native Of Donegall
Philadelphia Anthony Armbruster 1764
Preliminaries omitted.
Anon., The Pearl of Savoy: A Domestic Drama, in Five Acts, as Performed by Maggie Mitchell. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Now Performed at the Principal English and American Theatres
New York Samuel French 1864
Preliminaries omitted.
Anon., The Reformation and the Maternal Sister. A Drama, in Three Acts [in, Dramatic Pieces, Calculated to Exemplify the Mode of Conduct which Will Render Young Ladies Both Amiable and Happy, When Their School Education is Completed]
New-Haven Abel Morse 1791
Only “The Reformation” included.
Anon., The Russian Banquet, the Feast of Treason, and the Flow of Wine. A Drama, in One Act, as Lately Performed in Boston, by Hector Snapdragon, Esq.
Boston Nathaniel Coverly 1813
Preliminaries omitted.
Anon., The Search After Happiness: A Pastoral Drama; from the Poetry of Miss More. By a Lady in Connecticut
Catskill M. Croswell & Co. 1794
Preliminaries omitted.
Anon., The Students: A Drama, in Five Acts
New-York Berford & Co. 1850
Preliminaries omitted.
Anon., The Sword. A Drama in One Act [in, Home Dramas for Young People]
Boston James Munroe And Company 1859
Collection compiled by Follen, Eliza Lee Cabot, 1787–1860. Only “The Sword” included.
Anon., The Tipperary Warbler or The Fraud of the Dry Goods Boxes. An Historical and Operatic Play in Three Acts
Rochester, N. Y. H. G. Parish & Co. 1865
Preliminaries omitted.
Anon., The Tricks of the Times, or, The World of Quacks; a Farce, of Domestic Origin. In Two Acts
New-York Publisher unknown 1819
Preliminaries omitted.
Anon., The Triumph of Reason, and the Contrast [in, Dramatic Pieces, Calculated to Exemplify the Mode of Conduct which Will Render Young Ladies Both Amiable and Happy, When Their School Education is Completed]
New-Haven Abel Morse 1791
Only “The Triumph Of Reason” included.
Anon., The Triumphal Arch. A Drama [in, Evenings in New England. Intended for Juvenile Amusement and Instruction. By an American Lady]
Boston Cummings, Hilliard And Company 1824
Only “The Triumphal Arch” included.
Anon., The Village Wedding. A Drama. In One Part
Boston W. Spotswood 1790
Preliminaries omitted.
Anon., The Wept of the Wish-Ton-Wish. A Drama, in Two Acts. From J. Fennimore Cooper's Celebrated Novel of the Same Name. To Which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits—Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed At All the Principal Theatres in The United States
New York Samuel French 185–?
Preliminaries omitted.
Anon., The Witch of New England; A Romance
Philadelphia H. C. Carey & I. Lea 1824
Only “The Lover” included.
Anon., 'Tis All a Farce. A Farce in Two Acts. As Performed at the Philadelphia Theatre
Philadelphia R. H. Lenfestey 1884
Preliminaries omitted.
Anon., Wilhemina; a Legendary, Dramatic Tale
Boston Cummings, Hilliard And Company 1826
Preliminaries omitted.
Anon., Xerxes the Great, or The Battle of Thermopyle: A Patriotic Drama in Five Acts
Philadelphia G. Palmer 1815
Preliminaries omitted.
Anon., Zula: A Tragedy, in Four Acts. By a Kentuckian
Philadelphia Publisher unknown 1839
Preliminaries omitted.
Anthon, Charles Edward, 1822–1883, The Son of the Wilderness. A Dramatic Poem, in Five Acts
New-York Ludwig & Co. 1848
Preliminaries omitted.
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